“Who will follow the music?” The panel after “The Secret” play about H. D.

logo36th in a series of posts on H.D.logo

Gadfly’s not done with coverage of Touchstone Theatre’s “Festival UnBound” — not by a longshot. He will be featuring several of the panels that convened during the 10-days, panels where important conversations were occurring.

Listen to your high-achieving fellow townswomen talk about their lives.
What can we learn?

“Who will follow the music?”
WOMEN IN LEADERSHIP: Inspirations and Obstacles
after a performance of “The Secret”
moderated by Jennie Gilrain

The Secret begins one day, in late nineteenth century Bethlehem, when sixteen year-old, Helen Wolle, mother of H.D., entered a Moravian Seminary classroom to rehearse a song she looked forward to performing. Much to her shock and, in fact, trauma, she was roughly told to be quiet, to end “this dreadful noise.” by her pastor grandfather, Papalie. And Helen, who loved to sing so much and so well, would never sing again in public.

The focus of the panel will be on women in leadership. We will connect the panel to the play via a question that Mamalie (Hilda’s maternal grandmother) asks Hilda in the beginning of the play, and H.D. asks the audience at the end of the play: “Who will follow the music?’ 

Moderator Jennie Gilrain, who also directed the play, here frames the panel:

And here introduces the panelists: Phyllis Alexander, Yalitza Corcino-Davis, Abriana Ferrari, Mary C. Foltz, Nancy Matos Gonzalez, Margaret Kavanagh, Emily Santana, Dr. Paige Van Wirt. See here for short biographies.

Here is the full panel discussion, broken into two parts. Gadfly will return shortly with edited video of each panelist, enabling a better focus on individual stories.

Festival UnBound
Closed but never forgotten

Forest Bathing with H.D.

(35th in a series of posts on H.D.)

Forest bathing was one of the events in our year-long series of events entitled

Finding H.D.:
A Community Exploration of the Life and Work of Hilda Doolittle

Bethlehem-born writer Hilda Doolittle — H. D. —  (1886-1961) is
the “Lehigh Valley’s most important literary figure.”

Sienna Mae Heath is a storywriter of landscapes, architecture, and gardens. A world traveler with a home base in Bethlehem, she knows how a strong sense of place sparks meaning in small moments. Check out her blog Garden Mindfully.

In the spirit of World Mental Health Day, blogger Sienna Mae Heath discusses seasonal depression. Going forest bathing helped her welcome the autumnal equinox with grace. How do you prepare for winter?

For many of us with seasonal depression, the first cool night signals a warning that it’s time to drop vitamin D infused oil on our morning toast, or else succumb to darkness. The sun sets a little sooner, the window for soaking up sunshine nearly closed. When I awoke on the fourth Sunday of September, I figured, all the more reason to let my blankets release me into the wild of Little Pond to go “Forest Bathing with H.D.”

Our guide was Anisa George. Her mother Bridget, who along with Bill George founded the arts retreat in 1996, motioned for me to park on the mix of gravel and grass across the way from their quaint refinished farmhouse. I nibbled on the edible garden of spearmint, cinnamon basil, and nasturtiums (which I think of as rogue peppery petunias).

“Welcome back,” the mother-daughter duo chimed in unison. Little Pond served as a spiritual and creatively charged oasis during my childhood, and here I was, having owned two houses, changed my career, and circling around from quite a few travels abroad – home.

This gathering brought seven women together. As we settled in a circle near the pond, Anisa shared the history of forest bathing – the English translation for the Japanese tradition of immersing oneself in nature. This tradition is only a few decades old. In the 1980s when workers were collapsing at their desks, the government took action. The result is now a global phenomenon, encouraging humanity to reconnect with the landscape.

Invitations and sharing circles

In forest bathing, there are invitations and sharing circles. Each free-flowing activity is an invitation to savor the sights, sounds, textures and scents around you. When given the sharing piece, similar to a talking stick, we could answer this question: What are you noticing?

“It’s okay to pass. It’s okay to share silence,” Anisa said. This added reassurance made me feel so free. Poetry, though not typically a part of forest therapy, sparks a calming freedom within. Anisa presented scrolls of poems by H.D., the Lehigh Valley poet also known as Hilda Doolittle, who was a great lover of the wild. The first piece of parchment pulled from the cup revealed:

Behold the dead are lost,

The grass has lain

Trampled

And stained

And sodden

Behold

Behold

Behold . . .

The grass rises

With flower-bud;

The grain

Lifts its bright spear head

To the sun again

Behold,

Behold

The dead

Are no more dead

The grain is gold

blade

stalk

and seed within;

the mysteries

are in the grass

and the rain.

“What stands out to me is ‘Behold, behold, behold’!” said fellow forest bather Gerry Nugent. “Even if it’s been trampled, behold, it’s still beautiful. We have four seasons in Pennsylvania. Never know what we’re going to get.”

After this first sharing circle came the first invitation. Anisa guided us up a hill to a mowed oval surrounded by trees. Laying like blades of grass, we became curious of what we’re welcoming on an inhale and what we’re giving on an exhale.

Each person inhaled something of their own and exhaled what they need to give to the world. For me, I welcomed the wind to join my breath. I welcomed confidence in the life I’ve built for myself in the past year. I gave gratitude to the family who helped make it possible.

Mindful of Motion

Prior to our next walk, Anisa asked that we be mindful of movement: “What’s in motion? If the only thing you notice is yourself, you might want to slow down.”

Children are constantly in motion. Inspired by H.D.’s “wild fulfillment” (and I by Brene Brown’s to be bold and play), we spread milkweed seeds to the wind. The pods slipped open, revealing what felt like a thousand dandelion seeds with the texture of a down pillow. I was surprised how many could fit in even the smallest spaces. Tapping into my inner child, I coaxed the next generation of monarch butterflies to pollinate this patch next summer.

Inevitably the group would disperse, like the seeds themselves, so Anisa taught us how to call each other without cell phones – we howled! The lesson learned is, first of all, it’s fun to howl like wolves in the wood, and if I can’t hear one wolf, perhaps I can hear another and then know it’s time to return to the sharing circle.

The Camera and Photographer invitation brought to mind technology once more, but soon we learned it only needed the human eye and hand. My partner was Kait Smart. Having just met, we embarked on this trust exercise. She closed her eyes, and I walked her to a textured stump. Then we switched roles and ended up blowing more milkweed.

“Look at this, this is what I see,” Gerry described the perspective gained by taking pictures in pairs. “How often do we get to do that in our daily lives? Maybe I will after this.”

Bridget George and Sally Cordova shared their adventure, too. When you keep your eyes closed, you can still see, Bridget noticed. “There’s always this flickering. Even when Monet’s eyesight left, he could somehow paint the landscape.”

Finding Home

After all, every molecule of the human body is nature. During our Hide and Seek, we went off individually into the deep woods to look for something that’s waiting to be found. Another poem by H.D. lingered on my journey:

shall I lie in the meadows sweet.

escaped,

escaped from the lot

of men,

like a faun in the desert,

like a wind

by the river bank?

again,

again

shall I rest

ecstatic in loneliness,

apart in the haunted forest

For our last final sharing circle, Anisa surprised us. From her photo lens bag came a bamboo mat, a teapot, and ceramic cups. She steeped goldenrod, which stems from the Latin “solidago” meaning solid, as it is used to heal wounds and make them whole. Flourishing in September, it is a pioneer plant that thrives wherever it is sown. Its presence nourishes the soil.

Coming home to ourselves and to each other was the budding theme. Bridget was the last to join the circle but hearing her howls in the distance we knew she grew near. “I went so far into the woods not wanting this to end . . . and I found this perfectly broken beech tree.”

Joanna also found a tree, smooth with two limbs for arms. Sitting in the groove of this tree, she reflected. She felt comforted, calm, home. “I value the playful space between sharing invitations and all the wilderness of nature,” she said. “I needed structure today but also space for the unexpected.”

Sally and I brought back mixed nuts. Beautifully, she shared the phases of life in the form of green and brown chestnuts. My experience was similar. I threw acorns to hear them bounce off the bark of grown trees and returned with a few nutshells, some whole, some broken. This invitation was a mixed bag, I confided in the group. Cradling a white wildflower by the roots, I set an intention to transplant it. So, like fauns in the desert, Joanna led me through gnarled vines, prolific raspberry bushes, and modest granite crystals to her beloved tree. Her temporary home became mine, and then the flower’s.

For future events, visit https://www.meetup.com/Lehigh-Valley-Forest-Therapy-Meetup-Group/ 

Sienna

Thank you, Touchstone Theatre!

logo52nd in a series of posts on Touchstone Theatrelogo

Festival UnBound closing ceremony Sunday night

Lunch over?

Head into your afternoon with final sights and sound of the Festival.

We had one last exhortation:

“If you really want to make the whole thing right,

you gotta get yourself together,

and get in the fight”

And participants answered last call by enjoying one more dance and clapfest!

Gadfly is exhausted . . .

Thank you Touchstone Theatre!

Festival UnBound
Closed but never forgotten

“Make your promise to the future”

logo51st in a series of posts on Touchstone Theatrelogo

Festival UnBound closing ceremony Sunday night

Last night the Payrow Plaza parapet became an altar.

An altar on which Festival participants made a vow to the future.

It’s the lunch hour as Gadfly posts this message and perhaps as you receive it.

A pause in the day.

A good time to renew the vow you made or reflect on one you will now make.

How will you help make this a better community?

“Know that you are not powerless.”

  • “Now we are going to have an opportunity to light our candles.”
  • “And this is an opportunity for you to make a promise to yourself and to this community about what physical actual step you are going to take in this next year.”
  • “Maybe it’s inviting your neighbor over for dinner.”
  • “Maybe it’s making sure everybody votes.”
  • “Maybe it’s helping in a soup kitchen.”
  • “It’s whatever moves you that you know will help make this a better community.”
  • “And once you have thought about what your step is going to be . . . we invite you to come over and look at the City of Bethlehem, South Bethlehem, raise your candle high, make your promise, make your promise to the future, and then plant your candle in the sand.”

Festival UnBound
Closed but never forgotten

“Have the courage to cultivate this beloved community!”

logo50th in a series of posts on Touchstone Theatrelogo

Festival UnBound closing ceremony Sunday night

What Gadfly has presented to you earlier this morning was antic, joyful prelude.

Now we approach the rousing heart of the Festival; now we tap the serious spiritual energy and passion that fueled this 10-day act of community Love.

Here the ensemble comes together to celebrate Bethlehem’s past, present, and future.

  • “We discovered something special here in Bethlehem.”
  • “A future where our most cherished hopes and dreams can become a reality.”
  • “If it’s your dream, well then there’s no room for failure.”
  • “We showed the world it could be done.”
  • “There is a wealth of untapped talent from the Black community.”
  • “People here have a sense of community.”
  • “There’s a lot of fight in these people. These are tough people.”
  • “If we get knocked on the ground, we can get back up again.”
  • “We see a future in which our warriors return home to find, connection, empathy, and community.”
  • ‘We must support one another if we are to survive and flourish.”
  • “Here’s to the way kitchens and food bring us together. . . [sharing] our history, our heritage, and our hopes.”
  • “Know that you are not powerless.”
  • “Do not give in to fear.”
  • “Our love for this community . . . fired up!”
  • “We are not just community, we are family.”
  • “Ever the realist! Ever the idealist! The world needs us both!”
  • “Here’s to knowing you are a rich resource.”
  • “We mustn’t abandon the promise of equality.”
  • “If we stick together, I know we’ll all be alright.”
  • “Remember this, all voices should be included and at the table in envisioning the forward movement.”
  • “Life is simply wonderful when you are in Bethlehem.”
  • “Have the courage to cultivate this beloved community.”
  • “This isn’t the end of the conversation — not by a longshot!”
  • “Look around you. Everyone around you has ideas, everyone around you has dreams, everyone around you wants it to work better.”
  • “Everyone around you has a story, let’s listen.”
  • “We don’t have much choice but to go into what’s next — TOGETHER!”

Festival UnBound
Closed but never forgotten

A Festival goal: “a sense of ‘we’ that we have never accomplished before”

logo46th in a series of posts on Touchstone Theatrelogo

Eagles game over!
Time to roll on up, down, or over to Payrow Plaza at 5:30 for the Closing Ceremony!
If you don’t, you are missing something truly historic.
Your grandkids’ grandkids are going to want to know you were there.

What is the phenomenally ambitious Festival UnBound trying to accomplish? People have been asking the Gadfly that all week. Here’s Festival Wizard Bill George taking on that topic impromptu-fashion addressing the panel after a performance of “Prometheus / Redux.”

  • “There were three primary themes to this Festival. One is the interconnectedness of all things. The second is diversity and the promise and challenge of diversity. The third is the importance of our youth.”
  • “And this piece [“Prometheus / Redux”] was intended to land in the center of the problem of the fact that we are much more aware how everything is connected.”
  • “So whether you’re talking about planning, land use, agriculture, and apartment costs, and the effect on race, and gentrification, racism, or the thing that’s happening between men and women in our community — this churning, churning, churning that’s going on, and we’re aware that everything’s connected to everything else.”
  • “All of those conversations I had, everyone was aware that our institutions seemed to be inadequate to deal with the challenges that we were facing — that our politics is based on competition, who gets to beat the other guy, and then you win, winner takes all, instead of cooperation. Our economics based on bottom line, and if it doesn’t make money, you know, pow, short-term very often.”
  • “How are we going to get to where we need to go?”
  • “I don’t think we really can answer that in any definitive way, other than, in the play  . . . stand close to each other, which is what we are doing now, and then share, take the time to listen, have that meal, believe, just like Olga was saying, the Mayor’s not going to do it for us.”
  • “You know, nobody’s coming to save us, which is a beautiful novel by Stephanie Powell Watts, nobody is coming to save us. We’re going to have to do this.”
  • “We in a sense of ‘we’ that we have never accomplished before.”

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Startling appearance on Main St.!

logoThe Gadfly invites “local color” photos of this sortlogo

Moravian 1Moravian 2

 

Moravian 3

 

 

A giant rat taking a knee.

That might start a revolution.

 

 

 

The contributor is known to Gadfly but prefers to remain anonymous.

 

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

As the Festival closes, “Let’s celebrate new life today!”

logo45th in a series of posts on Touchstone Theatrelogo

Meet the day with the beckoning chant from “Prometheus / Redux”

Let’s celebrate

new life today

in Bethlehem

See you at the Ceremony?

Perhaps at the meal beforehand?

—–

How to Festival UnBound
——

Touchstone 1

Festival 13

click here to get hot links for Sunday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

“Yeah, we look ahead as a new day dawns” : great Saturday spirit with which to Festival

logo(44th in a series of posts on Touchstone Theatre)logo

Folksinger Ann Hills’ original song (video and lyrics here) performed on the Greenway at the Opening and last night at “Poets, Troubadors, and Troublemakers” gets us going this morning.

—–

How to Festival UnBound
——

Touchstone 1

Festival 11
Festival 12

click here to get hot links for Saturday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Tonight: “A great chance to create, collaborate and celebrate this vibrant community”

logo(43rd in a series of posts on Touchstone Theatre)logo

Here’s Gadfly’s Friday destination. There’s lots going on. Where will you be heading?

Hills

Anne Hills at the Festival Opening, click here to listen

Poets, Troubadours and Troublemakers
http://festivalunbound.com/poets-troubadours-and-troublemakers/

For “Poets, Troubadours, and Troublemakers,” songwriter Anne Hills, a Bethlehem native, led bi-weekly songwriting workshops at Godfrey Daniels started in January and featured master classes on a broad diversity of styles from hip-hop to ballads.

The classes included visits by artists including John Gorka, Erin McKeown, Suzzy and Lucy Wainwright Roche, Tish Hinojosa and David Roth. Participants also had workshops with Lehigh Valley artists Alex Radus, Dierdre Van Walters and Jack Murray.

The songwriters — Amanda Penecale, Andrew Dunn, Katherine Rondeau and Rhys Williams — along with Hills and Radus recorded a CD of their original songs that will be sold at the concerts.

“Since I moved to Bethlehem 32 years ago, I have found love and support from our artistic community,” Hills says. “Festival Unbound’s Poets, Troubadours & Troublemakers has offered me another great chance to create, collaborate and celebrate this vibrant community.”

Original songs will be featured in the closing ceremonies of Festival UnBound at 5:30 p.m. Oct. 13 at Payrow Plaza.

Friday, October 11 – 8:00-9:30p (@ Godfrey Daniels | 7 E. Fourth Street, Bethlehem, PA) *Panel discussion follows performance

Godfrey Daniels | 7 E. Fourth Street, Bethlehem, PA

PRICE: $15; limited amount of Pay What You Will tickets for purchase; please call 610-867-1689 to order.

 

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Fuel up for Festival Friday!

logo(42nd in a series of posts on Touchstone Theatre)logo

Gadfly followers, can you clap while you brush your teeth??? Well, that’s what you’ll try to do while listening to this wake-up call from the pop-up singers on the Greenway at the Festival opening last Friday! Keep the rousing spirit of the opening alive as we head into the finale weekend!

—–

How to Festival UnBound
——

Touchstone 1

Festival 10

click here to get hot links for Friday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

“We mustn’t abandon the promise of the hidden seed”

(41st in a series of posts on Touchstone Theatre)

“Hidden Seed: Bethlehem’s Forgotten Utopia”
Thursday, October 10 8:00-9:30p
final performance
panel discussion following the show
(at PBS 39)
http://festivalunbound.com/hidden-seed/

Touchstone 1

We mustn’t abandon the promise of unity,
We mustn’t abandon the promise of the hidden seed  . . .
The hidden seed is planted in every generation
because those who want justice keep it alive . . .
We did it . . .
and now we are here to pass it on.

Gadfly suspects that the panel discussion after the performance tonight
will focus on the flowering of the hidden seed
in our day . . .

Be there?

Even if you’ve seen the play already.

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Thursday — A good day to festivate!

(40th in a series of posts on Touchstone Theatre)

Thy wake-up serenade this morning is provided by the Greenway kids “sounding off.”

—–

How to Festival UnBound
——

Touchstone 1

Festival 9

click here to get hot links for Thursday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

The “Hidden Seed”: like going to Mass in the Catacombs

(39th in a series of posts on Touchstone Theatre)

“Hidden Seed: Bethlehem’s Forgotten Utopia” plays Wednesday, October 8 – 7:00-8:30p (Single Sisters House) and Thursday, October 9, 8:00-9:30p
(PBS)
http://festivalunbound.com/hidden-seed/

Touchstone 1

It was like going to Mass in the Catacombs.
The Gadfly

Three 18th century female Bethlehem ghosts — a formerly enslaved West African woman, a Native American woman, and one of the original Moravian immigrants from Europe — agree to tell everything, the whole story not just the happy parts, without lying.

Yes, everything . . . the whole story . . . not just the happy parts . . . without lying.

“They [us] will only understand if you tell them the whole story, the whole truth.”

Like about Gnadenhutten, the Moravian Massacre.

Do you know Gnadenhutten?

96 Christian Native Americans killed at the Moravian Mission of Gnadenhutten, skulls crushed with mallets to save bullets.

This anguished cry by our distraught Native American teller seemed to crack the serene Single Sisters House walls Monday night just as her tale of outrage cracked the smooth surface of pious Moravian history.

So, everything . . . the whole story . . . not just the happy parts . . . without lying.

Did you know there was slavery in Bethlehem?

And our rather matter-of-fact African American teller bluntly pierces the “miracle” of good treatment rationalized by the European with the hypocrisy of “You believed you could own us.”

“The seeds of our failure were sown side-by-side with our dreams.”

So much for Utopia. Maybe best that it be forgotten.

Or is the hidden seed of equality and unity still available to us?

If you haven’t already, y’gotta go and find out.

Whattaya doing tonight?

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Huh? Bethlehem’s “Forgotten Utopia”?

(37th in a series of posts on Touchstone Theatre)

“Hidden Seed: Bethlehem’s Forgotten Utopia” plays Tuesday, October 8 – 7:00-8:30p and Wednesday, October 8 – 7:00-8:30p and Thursday, October 9, 8:00-9:30p
http://festivalunbound.com/hidden-seed/

Touchstone 1

The stories we tell shape the lives that we lead

Gadfly attended the performance of “Hidden Seed: Bethlehem’s Forgotten Utopia” with a small group in Single Sisters House last night.

It was special.

It was like going to Mass in the Catacombs.

What is our “forgotten Utopia”?

“In the first two decades, the Moravians built a racially integrated city that abolished poverty, shared wealth equally, emancipated women to be leaders, and provided free education, health care, child care, and elder care to all.” (Seth Moglen)

Three 18th century female Bethlehem ghosts — a formerly enslaved West African woman, a Native American woman, and one of the original Moravian immigrants from Europe — agree to tell everything, the whole story not just the happy parts, without lying.

Everything . . . the whole story . . . not just the happy parts . . . without lying.

This is the way to learn history.

First-person, multi-perspectiv’d, tension-filled, contrarian.

Not text-bookish and smoothed out.

What is the “hidden seed”?

“We brought the hidden seed here, to Bethlehem, yes, yes, we came here to evangelize, but we also came to build a model of life, an example for the entire world, a City on a Hill, that would spread its light far and wide. We had no interest in personal wealth, we didn’t come here to build private houses or family farms. We came here to build a community in which everyone’s needs would be met communally.”

The hidden seed is a vision of equality and unity.

That’s the happy part.

What happened to the hidden seed?

Is it still available to us?

Y’gotta go and find out–

Whattaya doing tonight? If you haven’t seen “The Secret,” that is.

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Don’t miss “The Secret”! Last performance tonight!

Bethlehem-born writer Hilda Doolittle — H. D. —  (1886-1961) is
the “Lehigh Valley’s most important literary figure.”

Last showing!

See it tonight!

(The marionettes are booked in Toronto tomorrow)

“The Secret” plays Tuesday, October 8 – 7:30-9:00p at Touchstone Theatre: http://festivalunbound.com/the-secret/

Touchstone 1

L1000185

photo by Ed Leskin

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Put on your happy feet and plan to Festival today!

(35th in a series of posts on Touchstone Theatre)

Here to get you in the Festival mood this morning is your Dixieland Jazz alarm clock.

The Greenway was marchin’ and swingin’ Friday night!

—–

How to Festival UnBound
——

Touchstone 1
Festival 6

click here to get hot links for Tuesday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

The Festival’s stunning “Secret”

Bethlehem-born writer Hilda Doolittle — H. D. —  (1886-1961) is
the “Lehigh Valley’s most important literary figure.”

See it tonight!

“The Secret” plays Monday, October 7 – 7:30-9:00p and Tuesday, October 8 – 7:30-9:00p at Touchstone Theatre: http://festivalunbound.com/the-secret/

Touchstone 1

Anecdote #7 from Gadfly reminiscences of life in the ‘hood when Bethlehem Steel was still the Big Daddy.

We live in a close neighborhood of houses with porches.

In nice weather, going to work for Gadfly meant going to the front porch. Gadfly’s work was to read and write. He sat. He didn’t use his hands. He didn’t get dirty. He didn’t carry a lunch bucket. To his steelman neighbors, he was “college boy” at age 30. He was “Eddie,” not Ed, still at age 50. He was not quite a man though he bred six athletic sons playing street ball right in front of them as they dodged to get to their cars. Not the kind of men to go to a play.

The attitude lingers in the neighborhood.

Sunday Gadfly went to a play — “The Secret.” “Where ya goin, Eddie?” “To a . . . play?” “Don’t you know the Eagles are on?”

Yes, Gadfly went to a play.

And a play based on a series of poems yet!

A combination designed to ratchet a steelman’s briefs three or four sizes tighter.

Women will readily understand H. D.  Men need to.

Hilda Doolittle was a born artist.

She had a gift, a gift little appreciated in the late 19th century Bethlehem of her youth.

Her autobiography virtually begins with the unwittingly brutal choking to death of her mother’s artistic talent by her grandfather.

Take three minutes and listen:

Momma’s voice was low and rich and vibrant. But she never sang again. And all the women felt they had failed.

It’s amazing that H. D. ever got to the equivalency of first base much less world renown in a culture that scorned feminine voices, even unconsciously, as “dreadful noise” and was able to give us her considerable gifts.

So the poem/play has meat, meaning, relevance.

But it is also visually and auditorily stunning. All you need do is go with the flow, as director Jennie Gilrain suggests — just let it wash over you.

The play has beautiful people, but, most of all, it has Doug Roysdon’s fabulous marionettes.

Don’t miss “The Secret”!
Playing tonight and tomorrow night

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L1000135

L1000129

fabulous photos by fabulous Ed Leskin

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Ghosts of Bethlehem’s past deliver an urgent message tonight!

(33rd in a series of posts on Touchstone Theatre)

Touchstone 1

Here is a little bit about Gadfly’s Festival fare Monday evening.

How many of us have been inside Sisters’ House? Gadfly’s wing is not raised. Never been there.

What a wonderful place in our town to get inside a place in our heritage, where, similarly, he has also never been.

Join Gadfly in these dual discoveries?

—–

Seth Moglen is co-author of “Hidden Seed.” Moglen’s play focuses on mid-18th century Bethlehem, as told by the ghosts of three of the city’s female founders: a formerly enslaved West African woman, a Native American woman, and one of the original Moravian immigrants from Europe. “These ghosts have returned to Bethlehem to share the astonishing story of the founders’ egalitarian achievements,” said Moglen. “In the first two decades, the Moravians built a racially integrated city that abolished poverty, shared wealth equally, emancipated women to be leaders, and provided free education, health care, child care, and elder care to all. The ghosts have an urgent message for Bethlehem residents today, but in order to share that message, they must come to terms with painful truths about the city and their relationship to one another.”

“Hidden Seed: Bethlehem’s Forgotten Utopia”

Dive into the hidden history of Bethlehem’s birth—  a Moravian Utopia? Multiculturalism and womens’ rights are sown into the soil of our remarkable egalitarian past. Hidden Seed shines light on our forebears’ lessons, and the treasures that grow from our roots.

Arrive a few minutes early to explore the Single Sisters House before the performance– here’s a link to what you’ll experience.

DATES & TIMES:

Monday, October 7 – 7:00-8:30p | Single Sisters House, Historic Bethlehem

Tuesday, October 8 – 7:00-8:30p | Single Sisters House, Historic Bethlehem

Wednesday, October 9 – 7:00-8:30p | Single Sisters House, Historic Bethlehem

Thursday, October 10 – 8:00-9:30p | PBS39 (Open Captions and Audio Description) *Panel discussion following the show.

VENUES:

Single Sisters House | 50 W. Church Street, Bethlehem, PA

PBS 39 | 839 Sesame Street, Bethlehem, PA – For the Thursday, October 10th show only!

PRICE:  $20; limited amount of Pay What You Will tickets for purchase; please call 610-867-1689 to order.

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Gadfly brings you bagpipes for breakfast as you plan today’s Festival activities

(32nd in a series of posts on Touchstone Theatre)

Bagpipes from the Greenway Friday night will get your blood flowing better than a Dunkin’! Gadfly always thought a bagpipe alarm clock would be a winner. Perfect gift for the sluggard in your life!

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How to Festival UnBound
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Festival 5

click here to get hot links for Monday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Gadfly with the students in the morning and then a double-header Sunday afternoon

(31st in a series of posts on Touchstone Theatre)

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Sleepy-eyed Gadfly plans this morning with the students:

“Starry-Eyed”

A roaming group of misfit heroes follows a peculiar star; they find themselves in Bethlehem by accident but stay to fight the monsters that they find there– and face their fears– in this original production, devised and written by teens from Bethlehem high schools.

Directed by Emma Ackerman, coordinator of Touchstone Theatre’s Teen Ensemble.

DATES & TIMES:

Sunday, October 6 – 11:00a-12:30p

VENUE:  Payrow Plaza | 10 E. Church Street, Bethlehem, PA

In case of rain, venue will be Nitschmann Middle School. Decision will made by 8am– Check the Festival UnBound Facebook, FestivalUnBound.com or our voicemail to confirm.

PRICE:  Pay What You Will: Suggested Donation $15 adults / $10 students and seniors

And then, since Gadfly saw Prometheus/Redux yesterday with the panel, he plans to see The Secret — the H.D. play with the Mock Turtle Marionettes — likewise with panel — today and afterwards walk up to Zoellner to see “A Joyful Noise.”

He likes panels and will post on the Prometheus one in a day or two.

The Secret

DATES & TIMES:

Sunday, October 6 – 1:00-2:30p (Audio Description) | Panel 2:30-3:30p

Monday, October 7 – 7:30-9:00p

Tuesday, October 8 – 7:30-9:00p

VENUE: Touchstone Theatre | 321 E. Fourth Street, Bethlehem, PA

PRICE: $25 adult & $15 student/senior; limited amount of Pay What You Will tickets for purchase; please call 610-867-1689 to order.

“A Joyful Noise” — one time only

The Bach Choir of Bethlehem, in collaboration with Nazareth Area High School Cantus, Camille Armstrong, Greater Shiloh Church Choir, Big Easy Easton Brass, Ysaye Barnwell of Sweet Honey in the Rock, Lehigh Valley Charter High School for the Arts Touring Choir, Bel Canto Youth Chorus, and Jakopa’s Punch, explores how the collective act of choral singing and music making can bring people together and make the world a smaller place. Join us as we give voice to community through song!

DATE: Sunday, October 6

TIME: 4:00 – 6:00 PM

VENUE: Zoellner Arts Center, Baker Hall | 420 E. Packer Avenue, Bethlehem, PA

PRICE:  $15 / $10 students; limited amount of Pay What You Will tickets for purchase; please call 610-867-1689 to order.

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13