“What I see happening isn’t really promoting a walkable community”

logo57th in a series of posts on Touchstone Theatrelogo

He confessed it. Total admission. Put it right out there. No hiding.

“I love to walk.”

That was Wally Trimble at the “Poets, Troubadours, and Troublemakers” event.

“Hear, Hear,” a flock of Gadfly followers assented, “We’ll drink to that!”

Much on our minds on this blog.

But a ways to go, says Wally.

  • “I love to walk.”
  • “I wish it were a more walkable community.”
  • “We have a great trail system . . .”
  • “Our crosswalks seem designed as kill zones.”
  • “There are a lot of really dangerous places . . . “
  • “The best way to see [our] neighborhoods is to walk.”
  • “It makes us feel better just to talk with a stranger.”
  • “If everybody was out walking around and talking with each other . . .”
  • “What I see happening isn’t really promoting a walkable community.”

Festival UnBound
Closed but never forgotten

“There’s not really a place where people of color who look like me gather in this town”

logo56th in a series of posts on Touchstone Theatrelogo

After that discussion of “place” in Bethlehem, Sharon Brown guided the denizens of Godfrey Daniels after the Festival UnBound’s “Poets, Troubadours, and Troublemakers” performance to the topic of “race” with this startling statement:

“There’s not really a place where people of color who look like me gather in this town.”

  • “It’s important to have a presence.”
  • “If you don’t have a presence, you can’t make a change, and nobody is going to invite you to the table to have a conversation.”
  • I’m continuing to think about as we look into the future how do we engage and make our world a truly more inclusive community.”
  • “How do I and others and other allies help to get folks to develop a critical consciousness, so that when you are doing a program you are making sure that you are including The Other and whoever that Other is at the table in the performance.”
  • “We have to do better.”
  • “After being here all these years, it is still a majority community governed by majority people, and all the Arts are still majority dominated and don’t engage other voices to be at the table.”
  • “It’s as though there’s this invisibility that occurs.”
  • “Where are the people who look like me?”
  • “Since we have this conversation, remember that there is a level of invisibility that exists throughout the entire Lehigh Valley but especially in Bethlehem no matter what side you are on.”

The audience went quiet for a bit, as if in thought.

Festival UnBound
Closed but never forgotten

“Do you think this is a city of two cities?”

logo55th in a series of posts on Touchstone Theatrelogo

A quiet voice fairly timidly took the mic:

“I have a question . . . do you think this is a city of two cities?

And thus began in earnest the discussion after “Poets, Troubadours, and Troublemakers.”

The room got right to the question of identity that we sometimes seem unable to settle.

Are we the tale of two cities?

Are we the wail of two cities?

Northside and Southside–

And the conversation jumped quickly to an even greater multiplicity of cities within our city!

  • “There are three sides of town: Northside, Southside, and Lehigh.”
  • “There’s the Eastside . . . another neighborhood that everybody forgets.”
  • “In any town, there are many towns . . . for any town, any community to go forward, it has to recognize it’s a good thing and a bad thing that there are more than one town in that town . . . It can be diversity and opportunity if we recognize and try to bring those communities together and take strength from that rather than trouble.”

Ahhh, this is a rich subject that you must have some feelings about.

Lehigh as a third side of town?

Badaboom!

Share?

Festival UnBound
Closed but never forgotten

“Nobody’s going to save us . . . we’re going to have to fight for our community”: the “Poets, Troubadours, and Troublemakers” panel

logo54th in a series of posts on Touchstone Theatrelogo

So Gadfly set up for you the panel conversations about the future of Bethlehem after Festival UnBound’s “Prometheus / Redux” and “The Secret.”

Here we’ll introduce the panel and significant audience participation of the “Poets, Troubadours, and Troublemakers” event and in a following post the panel after “Hidden Seed,” which Gadfly almost forgot about since he didn’t get any video.

Gadfly is first setting these panels up for you and then will come back for closer looks.

PT&T at the intimate Godfrey Daniels on 4th St. was an hour or so of original music by Godfrey Danielslocal folk singers and composers that was followed by a like amount of time for a panel with audience participation.

Panel members were Bill George (Touchstone wizard), Bob Watts (poet, Lehigh U English Department), Paul Walsh (Charter Arts Artistic Director), Geoff Gehman (arts journalist), and Anne Hills (folk singer).

In setting up the first two panels, we’ve heard shorthand descriptions of the guiding purpose of the entire Festival as generating “a sense of ‘we’ that we have never accomplished before” and envisioning “how we move forward as people committed to building a better Bethlehem.”

Here Bill George frames once again the first principles and principal motivation for the massive 10-day Festival.

  • “The purpose is to use our art as a way of bringing us together to express our feelings and thoughts about who we are as individuals and as a community and somehow where we’re going and to help it generate conversation among ourselves as to what kind of community we really want.”
  • “Like Stephanie’s [Stephanie Watts] novel, nobody’s coming to save us.”
  • “This music . . . calls us to understand that we have a job if we want this town, that we want our community, we’re going to have to fight for it, and the fight isn’t really with other people, it’s with ourselves not just to sit back and let it go.”

Much more on this event in later posts.

Festival UnBound
Closed but never forgotten

“It happens when the money comes / The wild and poor get pushed aside”

logoLatest post on the Arts in Bethlehemlogo

Listening to brand-new music about Bethlehem while wedged into Godfrey Daniel’s for Festival UnBound’s “Poets, Troubadours, and Troublemakers” performance, knees welded together, elbows pinned to ribs, butt little more comfortable than a flag-pole sitter’s, Gadfly’s mind drifted back to the past . . . to John Gorka.

Anyone remember?

“My time [in Bethlehem] roughly coincided with the decline of Bethlehem Steel . . . and the town was trying to adapt to the new economic realities . . . a lot of what they did I was fine with . . . but the way they were fixing up the southside of town, where Godfrey Daniels is . . . I started to feel like aspiring folksingers and other poor people would no longer be welcome there . . . wrote this in 1991 . . . The song is kind of contemporary in a horrible way.”

Gorka 1

“Where the Bottles Break”

I walk where the bottles break
And the blacktop still comes back for more
I walk where the bottles break
And the blacktop still comes back

I live where the neighbors yell
And their music comes up through the floor
I live where the neighbors yell
And their music wakes me up

Life beyond the playground fence
Is serious as basketball
Life beyond the playground fence
Is serious

Four blocks from the steel mill blasts
I paint my claim up on the wall
Four blocks from the steel mill blasts
I paint my claim

From my end of the southside drag
It’s a common thought to call the cops
Further west it’s been gentrified
They turned biker bars into flower shops

I kind of miss those Harley guys
Who rarely did a body harm
They mostly liked to drink and shout
And flash the pictures on their arms

It happens when the money comes
The wild and poor get pushed aside
It happens when the money comes
The poor get pushed
The buyers come from somewhere else
And raise the rent so you can’t hide
The buyers come from out of state
And they raise the rent

Buy low sell high
You get rich and you still die
Money talks and people jump
Ask how high low-life Donald what’s-his-name
And who cares
I don’t want to know what his new wife doesn’t wear
It’s a shame that the people at work
want to hear about this kind of jerk

These people aren’t saints
No people just are
They want to feel like they count
They want to ride in their own car
People aren’t saints
No people just are
They want to feel like they count
They want to ride in their own car

I just want to make enough
To buy this town and keep it rough
I just want to make enough
To buy this town

Buy low sell high
You get rich and you still die
Money talks and people jump
Ask how high low-life Donald what’s-his-name
I walk where the bottles break
And the blacktop still comes back for more
I walk where the bottles break
And the blacktop still comes back

I live where the neighbors yell
And their music comes up through the floor
I live where the neighbors yell
And their music wakes me up

Life beyond the playground fence
Is serious as basketball
Life beyond the playground fence
Is serious

Festival UnBound
Closed but never forgotten

The “Prometheus / Redux” panel tackling the question of how Bethlehem moves forward

logo53rd in a series of posts on Touchstone Theatrelogo

There was lots and lots of entertainment during the 10 days of Touchstone Theatre’s “Festival UnBound,” which closed last Sunday night. There were plays, there were poets, there was a marching band, there was joyful noise.

But there was also lots and lots of conversation on the future of Bethlehem.

Even the entertainment was that conversation in a sense.

But there were formal conversations.

Conversations at lunch at the Cafe the Lodge, late night conversations at the Cabaret, and several panel conversations.

It was the panels on which the Gadfly focused (deftly avoiding ending with a preposition): the panel after “Prometheus / Redux,” after the “The Secret,” and after “Poets, Troubadours, and Troublemakers.”

Gadfly, you know, lives to enable us to hear our real voices  — our public participation — without filter.

So yesterday Gadfly laid out for you the panel of 8 women moderated by Jennie Gilrain tied to the H. D. play “The Secret.” Today let’s lay out the panel after “Prometheus / Redux.” Tomorrow perhaps we’ll do the one after “Poets, Troubadours, and Troublemakers.”

Gadfly’s purpose will first be to simply present the panels, to enable you to “attend” them or attend them again, to provide — you know this is Gadfly’s modus operandi — the primary sources on which to base your own responses (there’s that grammatical deftness again) before he makes comment.

The “Prometheus / Redux” panel was moderated by Councilman Willie Reynolds.

Here Willie describes the general purpose of the 10-person panel to discuss “how we move forward as people committed to building a better Bethlehem,” and the panel members do short introductions: Gerald Stropnicky, Bob Drake, Matthew Turk, Bob George, Alicia Miller Karner, Dave Amelio, Olga Negron, Guellermo Lopez, Jr.

The panel

Willie kicks off the discussion by asking the panel “what was that thing you saw today [at the “Prometheus / Redux” play] that going forward — it could be an idea, a theme, it could be a spirit — that kinda going forward that you think is the most important thing for our community.”

Prometheus Redux panel 1

Touchstone Theatre wizard and star of “Prometheus / Redux” Bill George took the mic for a few minutes to articulate in impromptu fashion what Gadfly posted earlier as a good, concise statement of the theme of the Festival — constructing “a sense of ‘we’ that we have never accomplished before” — and turns to the panel with the question “How are we going to get to where we need to go? . . . What do we need to do?”

Prometheus Redux panel Bill George

Audience member Margot Pullman provocatively adds  to Bill’s question: “As we’re looking at progress, making progress, how do we do that in a way that includes the whole community without leaving people behind. It’s really easy to build the luxury apartments . . . how do we do that [make progress] without leaving Prometheus behind, all the Prometheuses?”

Prometheus Redux panel 2

The above video cuts off the last 2-3 panelist responses to Bill and Margot, so here is the audio that completes this segment of the discussion.

Moderator Willie and an audience member who did not give her name followed this segment of the discussion with valuable comments.

Prometheus Redux panel audience 1

And a woman who identified herself as “we are the Schutese” [pronounced Shooteze] from Allentown made another valuable comment that we will surely want to come back to.

Prometheus Redux panel audience 2

Willie brings discussion to a close asking the panel “in the spirit of what we just did, what is the soft work that each one of you guys is going to leave here to do a little more or what’s the kind of self-reflection that you guys might leave here thinking the play made me think a little bit more of doing this or this is what I’m going to take on as my responsibility?”

There you have the Prometheus panel. Listen in. Lots to chew on here . . .

Festival UnBound
Closed but never forgotten

“Who will follow the music?” The panel after “The Secret” play about H. D.

logo36th in a series of posts on H.D.logo

Gadfly’s not done with coverage of Touchstone Theatre’s “Festival UnBound” — not by a longshot. He will be featuring several of the panels that convened during the 10-days, panels where important conversations were occurring.

Listen to your high-achieving fellow townswomen talk about their lives.
What can we learn?

“Who will follow the music?”
WOMEN IN LEADERSHIP: Inspirations and Obstacles
after a performance of “The Secret”
moderated by Jennie Gilrain

The Secret begins one day, in late nineteenth century Bethlehem, when sixteen year-old, Helen Wolle, mother of H.D., entered a Moravian Seminary classroom to rehearse a song she looked forward to performing. Much to her shock and, in fact, trauma, she was roughly told to be quiet, to end “this dreadful noise.” by her pastor grandfather, Papalie. And Helen, who loved to sing so much and so well, would never sing again in public.

The focus of the panel will be on women in leadership. We will connect the panel to the play via a question that Mamalie (Hilda’s maternal grandmother) asks Hilda in the beginning of the play, and H.D. asks the audience at the end of the play: “Who will follow the music?’ 

Moderator Jennie Gilrain, who also directed the play, here frames the panel:

And here introduces the panelists: Phyllis Alexander, Yalitza Corcino-Davis, Abriana Ferrari, Mary C. Foltz, Nancy Matos Gonzalez, Margaret Kavanagh, Emily Santana, Dr. Paige Van Wirt. See here for short biographies.

Here is the full panel discussion, broken into two parts. Gadfly will return shortly with edited video of each panelist, enabling a better focus on individual stories.

Festival UnBound
Closed but never forgotten

Forest Bathing with H.D.

(35th in a series of posts on H.D.)

Forest bathing was one of the events in our year-long series of events entitled

Finding H.D.:
A Community Exploration of the Life and Work of Hilda Doolittle

Bethlehem-born writer Hilda Doolittle — H. D. —  (1886-1961) is
the “Lehigh Valley’s most important literary figure.”

Sienna Mae Heath is a storywriter of landscapes, architecture, and gardens. A world traveler with a home base in Bethlehem, she knows how a strong sense of place sparks meaning in small moments. Check out her blog Garden Mindfully.

In the spirit of World Mental Health Day, blogger Sienna Mae Heath discusses seasonal depression. Going forest bathing helped her welcome the autumnal equinox with grace. How do you prepare for winter?

For many of us with seasonal depression, the first cool night signals a warning that it’s time to drop vitamin D infused oil on our morning toast, or else succumb to darkness. The sun sets a little sooner, the window for soaking up sunshine nearly closed. When I awoke on the fourth Sunday of September, I figured, all the more reason to let my blankets release me into the wild of Little Pond to go “Forest Bathing with H.D.”

Our guide was Anisa George. Her mother Bridget, who along with Bill George founded the arts retreat in 1996, motioned for me to park on the mix of gravel and grass across the way from their quaint refinished farmhouse. I nibbled on the edible garden of spearmint, cinnamon basil, and nasturtiums (which I think of as rogue peppery petunias).

“Welcome back,” the mother-daughter duo chimed in unison. Little Pond served as a spiritual and creatively charged oasis during my childhood, and here I was, having owned two houses, changed my career, and circling around from quite a few travels abroad – home.

This gathering brought seven women together. As we settled in a circle near the pond, Anisa shared the history of forest bathing – the English translation for the Japanese tradition of immersing oneself in nature. This tradition is only a few decades old. In the 1980s when workers were collapsing at their desks, the government took action. The result is now a global phenomenon, encouraging humanity to reconnect with the landscape.

Invitations and sharing circles

In forest bathing, there are invitations and sharing circles. Each free-flowing activity is an invitation to savor the sights, sounds, textures and scents around you. When given the sharing piece, similar to a talking stick, we could answer this question: What are you noticing?

“It’s okay to pass. It’s okay to share silence,” Anisa said. This added reassurance made me feel so free. Poetry, though not typically a part of forest therapy, sparks a calming freedom within. Anisa presented scrolls of poems by H.D., the Lehigh Valley poet also known as Hilda Doolittle, who was a great lover of the wild. The first piece of parchment pulled from the cup revealed:

Behold the dead are lost,

The grass has lain

Trampled

And stained

And sodden

Behold

Behold

Behold . . .

The grass rises

With flower-bud;

The grain

Lifts its bright spear head

To the sun again

Behold,

Behold

The dead

Are no more dead

The grain is gold

blade

stalk

and seed within;

the mysteries

are in the grass

and the rain.

“What stands out to me is ‘Behold, behold, behold’!” said fellow forest bather Gerry Nugent. “Even if it’s been trampled, behold, it’s still beautiful. We have four seasons in Pennsylvania. Never know what we’re going to get.”

After this first sharing circle came the first invitation. Anisa guided us up a hill to a mowed oval surrounded by trees. Laying like blades of grass, we became curious of what we’re welcoming on an inhale and what we’re giving on an exhale.

Each person inhaled something of their own and exhaled what they need to give to the world. For me, I welcomed the wind to join my breath. I welcomed confidence in the life I’ve built for myself in the past year. I gave gratitude to the family who helped make it possible.

Mindful of Motion

Prior to our next walk, Anisa asked that we be mindful of movement: “What’s in motion? If the only thing you notice is yourself, you might want to slow down.”

Children are constantly in motion. Inspired by H.D.’s “wild fulfillment” (and I by Brene Brown’s to be bold and play), we spread milkweed seeds to the wind. The pods slipped open, revealing what felt like a thousand dandelion seeds with the texture of a down pillow. I was surprised how many could fit in even the smallest spaces. Tapping into my inner child, I coaxed the next generation of monarch butterflies to pollinate this patch next summer.

Inevitably the group would disperse, like the seeds themselves, so Anisa taught us how to call each other without cell phones – we howled! The lesson learned is, first of all, it’s fun to howl like wolves in the wood, and if I can’t hear one wolf, perhaps I can hear another and then know it’s time to return to the sharing circle.

The Camera and Photographer invitation brought to mind technology once more, but soon we learned it only needed the human eye and hand. My partner was Kait Smart. Having just met, we embarked on this trust exercise. She closed her eyes, and I walked her to a textured stump. Then we switched roles and ended up blowing more milkweed.

“Look at this, this is what I see,” Gerry described the perspective gained by taking pictures in pairs. “How often do we get to do that in our daily lives? Maybe I will after this.”

Bridget George and Sally Cordova shared their adventure, too. When you keep your eyes closed, you can still see, Bridget noticed. “There’s always this flickering. Even when Monet’s eyesight left, he could somehow paint the landscape.”

Finding Home

After all, every molecule of the human body is nature. During our Hide and Seek, we went off individually into the deep woods to look for something that’s waiting to be found. Another poem by H.D. lingered on my journey:

shall I lie in the meadows sweet.

escaped,

escaped from the lot

of men,

like a faun in the desert,

like a wind

by the river bank?

again,

again

shall I rest

ecstatic in loneliness,

apart in the haunted forest

For our last final sharing circle, Anisa surprised us. From her photo lens bag came a bamboo mat, a teapot, and ceramic cups. She steeped goldenrod, which stems from the Latin “solidago” meaning solid, as it is used to heal wounds and make them whole. Flourishing in September, it is a pioneer plant that thrives wherever it is sown. Its presence nourishes the soil.

Coming home to ourselves and to each other was the budding theme. Bridget was the last to join the circle but hearing her howls in the distance we knew she grew near. “I went so far into the woods not wanting this to end . . . and I found this perfectly broken beech tree.”

Joanna also found a tree, smooth with two limbs for arms. Sitting in the groove of this tree, she reflected. She felt comforted, calm, home. “I value the playful space between sharing invitations and all the wilderness of nature,” she said. “I needed structure today but also space for the unexpected.”

Sally and I brought back mixed nuts. Beautifully, she shared the phases of life in the form of green and brown chestnuts. My experience was similar. I threw acorns to hear them bounce off the bark of grown trees and returned with a few nutshells, some whole, some broken. This invitation was a mixed bag, I confided in the group. Cradling a white wildflower by the roots, I set an intention to transplant it. So, like fauns in the desert, Joanna led me through gnarled vines, prolific raspberry bushes, and modest granite crystals to her beloved tree. Her temporary home became mine, and then the flower’s.

For future events, visit https://www.meetup.com/Lehigh-Valley-Forest-Therapy-Meetup-Group/ 

Sienna

Thank you, Touchstone Theatre!

logo52nd in a series of posts on Touchstone Theatrelogo

Festival UnBound closing ceremony Sunday night

Lunch over?

Head into your afternoon with final sights and sound of the Festival.

We had one last exhortation:

“If you really want to make the whole thing right,

you gotta get yourself together,

and get in the fight”

And participants answered last call by enjoying one more dance and clapfest!

Gadfly is exhausted . . .

Thank you Touchstone Theatre!

Festival UnBound
Closed but never forgotten

“Make your promise to the future”

logo51st in a series of posts on Touchstone Theatrelogo

Festival UnBound closing ceremony Sunday night

Last night the Payrow Plaza parapet became an altar.

An altar on which Festival participants made a vow to the future.

It’s the lunch hour as Gadfly posts this message and perhaps as you receive it.

A pause in the day.

A good time to renew the vow you made or reflect on one you will now make.

How will you help make this a better community?

“Know that you are not powerless.”

  • “Now we are going to have an opportunity to light our candles.”
  • “And this is an opportunity for you to make a promise to yourself and to this community about what physical actual step you are going to take in this next year.”
  • “Maybe it’s inviting your neighbor over for dinner.”
  • “Maybe it’s making sure everybody votes.”
  • “Maybe it’s helping in a soup kitchen.”
  • “It’s whatever moves you that you know will help make this a better community.”
  • “And once you have thought about what your step is going to be . . . we invite you to come over and look at the City of Bethlehem, South Bethlehem, raise your candle high, make your promise, make your promise to the future, and then plant your candle in the sand.”

Festival UnBound
Closed but never forgotten

“Have the courage to cultivate this beloved community!”

logo50th in a series of posts on Touchstone Theatrelogo

Festival UnBound closing ceremony Sunday night

What Gadfly has presented to you earlier this morning was antic, joyful prelude.

Now we approach the rousing heart of the Festival; now we tap the serious spiritual energy and passion that fueled this 10-day act of community Love.

Here the ensemble comes together to celebrate Bethlehem’s past, present, and future.

  • “We discovered something special here in Bethlehem.”
  • “A future where our most cherished hopes and dreams can become a reality.”
  • “If it’s your dream, well then there’s no room for failure.”
  • “We showed the world it could be done.”
  • “There is a wealth of untapped talent from the Black community.”
  • “People here have a sense of community.”
  • “There’s a lot of fight in these people. These are tough people.”
  • “If we get knocked on the ground, we can get back up again.”
  • “We see a future in which our warriors return home to find, connection, empathy, and community.”
  • ‘We must support one another if we are to survive and flourish.”
  • “Here’s to the way kitchens and food bring us together. . . [sharing] our history, our heritage, and our hopes.”
  • “Know that you are not powerless.”
  • “Do not give in to fear.”
  • “Our love for this community . . . fired up!”
  • “We are not just community, we are family.”
  • “Ever the realist! Ever the idealist! The world needs us both!”
  • “Here’s to knowing you are a rich resource.”
  • “We mustn’t abandon the promise of equality.”
  • “If we stick together, I know we’ll all be alright.”
  • “Remember this, all voices should be included and at the table in envisioning the forward movement.”
  • “Life is simply wonderful when you are in Bethlehem.”
  • “Have the courage to cultivate this beloved community.”
  • “This isn’t the end of the conversation — not by a longshot!”
  • “Look around you. Everyone around you has ideas, everyone around you has dreams, everyone around you wants it to work better.”
  • “Everyone around you has a story, let’s listen.”
  • “We don’t have much choice but to go into what’s next — TOGETHER!”

Festival UnBound
Closed but never forgotten

A Festival goal: “a sense of ‘we’ that we have never accomplished before”

logo46th in a series of posts on Touchstone Theatrelogo

Eagles game over!
Time to roll on up, down, or over to Payrow Plaza at 5:30 for the Closing Ceremony!
If you don’t, you are missing something truly historic.
Your grandkids’ grandkids are going to want to know you were there.

What is the phenomenally ambitious Festival UnBound trying to accomplish? People have been asking the Gadfly that all week. Here’s Festival Wizard Bill George taking on that topic impromptu-fashion addressing the panel after a performance of “Prometheus / Redux.”

  • “There were three primary themes to this Festival. One is the interconnectedness of all things. The second is diversity and the promise and challenge of diversity. The third is the importance of our youth.”
  • “And this piece [“Prometheus / Redux”] was intended to land in the center of the problem of the fact that we are much more aware how everything is connected.”
  • “So whether you’re talking about planning, land use, agriculture, and apartment costs, and the effect on race, and gentrification, racism, or the thing that’s happening between men and women in our community — this churning, churning, churning that’s going on, and we’re aware that everything’s connected to everything else.”
  • “All of those conversations I had, everyone was aware that our institutions seemed to be inadequate to deal with the challenges that we were facing — that our politics is based on competition, who gets to beat the other guy, and then you win, winner takes all, instead of cooperation. Our economics based on bottom line, and if it doesn’t make money, you know, pow, short-term very often.”
  • “How are we going to get to where we need to go?”
  • “I don’t think we really can answer that in any definitive way, other than, in the play  . . . stand close to each other, which is what we are doing now, and then share, take the time to listen, have that meal, believe, just like Olga was saying, the Mayor’s not going to do it for us.”
  • “You know, nobody’s coming to save us, which is a beautiful novel by Stephanie Powell Watts, nobody is coming to save us. We’re going to have to do this.”
  • “We in a sense of ‘we’ that we have never accomplished before.”

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

As the Festival closes, “Let’s celebrate new life today!”

logo45th in a series of posts on Touchstone Theatrelogo

Meet the day with the beckoning chant from “Prometheus / Redux”

Let’s celebrate

new life today

in Bethlehem

See you at the Ceremony?

Perhaps at the meal beforehand?

—–

How to Festival UnBound
——

Touchstone 1

Festival 13

click here to get hot links for Sunday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

“Yeah, we look ahead as a new day dawns” : great Saturday spirit with which to Festival

logo(44th in a series of posts on Touchstone Theatre)logo

Folksinger Ann Hills’ original song (video and lyrics here) performed on the Greenway at the Opening and last night at “Poets, Troubadors, and Troublemakers” gets us going this morning.

—–

How to Festival UnBound
——

Touchstone 1

Festival 11
Festival 12

click here to get hot links for Saturday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Tonight: “A great chance to create, collaborate and celebrate this vibrant community”

logo(43rd in a series of posts on Touchstone Theatre)logo

Here’s Gadfly’s Friday destination. There’s lots going on. Where will you be heading?

Hills

Anne Hills at the Festival Opening, click here to listen

Poets, Troubadours and Troublemakers
http://festivalunbound.com/poets-troubadours-and-troublemakers/

For “Poets, Troubadours, and Troublemakers,” songwriter Anne Hills, a Bethlehem native, led bi-weekly songwriting workshops at Godfrey Daniels started in January and featured master classes on a broad diversity of styles from hip-hop to ballads.

The classes included visits by artists including John Gorka, Erin McKeown, Suzzy and Lucy Wainwright Roche, Tish Hinojosa and David Roth. Participants also had workshops with Lehigh Valley artists Alex Radus, Dierdre Van Walters and Jack Murray.

The songwriters — Amanda Penecale, Andrew Dunn, Katherine Rondeau and Rhys Williams — along with Hills and Radus recorded a CD of their original songs that will be sold at the concerts.

“Since I moved to Bethlehem 32 years ago, I have found love and support from our artistic community,” Hills says. “Festival Unbound’s Poets, Troubadours & Troublemakers has offered me another great chance to create, collaborate and celebrate this vibrant community.”

Original songs will be featured in the closing ceremonies of Festival UnBound at 5:30 p.m. Oct. 13 at Payrow Plaza.

Friday, October 11 – 8:00-9:30p (@ Godfrey Daniels | 7 E. Fourth Street, Bethlehem, PA) *Panel discussion follows performance

Godfrey Daniels | 7 E. Fourth Street, Bethlehem, PA

PRICE: $15; limited amount of Pay What You Will tickets for purchase; please call 610-867-1689 to order.

 

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Fuel up for Festival Friday!

logo(42nd in a series of posts on Touchstone Theatre)logo

Gadfly followers, can you clap while you brush your teeth??? Well, that’s what you’ll try to do while listening to this wake-up call from the pop-up singers on the Greenway at the Festival opening last Friday! Keep the rousing spirit of the opening alive as we head into the finale weekend!

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How to Festival UnBound
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Festival 10

click here to get hot links for Friday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

“We mustn’t abandon the promise of the hidden seed”

(41st in a series of posts on Touchstone Theatre)

“Hidden Seed: Bethlehem’s Forgotten Utopia”
Thursday, October 10 8:00-9:30p
final performance
panel discussion following the show
(at PBS 39)
http://festivalunbound.com/hidden-seed/

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We mustn’t abandon the promise of unity,
We mustn’t abandon the promise of the hidden seed  . . .
The hidden seed is planted in every generation
because those who want justice keep it alive . . .
We did it . . .
and now we are here to pass it on.

Gadfly suspects that the panel discussion after the performance tonight
will focus on the flowering of the hidden seed
in our day . . .

Be there?

Even if you’ve seen the play already.

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Thursday — A good day to festivate!

(40th in a series of posts on Touchstone Theatre)

Thy wake-up serenade this morning is provided by the Greenway kids “sounding off.”

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How to Festival UnBound
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Festival 9

click here to get hot links for Thursday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

The “Hidden Seed”: like going to Mass in the Catacombs

(39th in a series of posts on Touchstone Theatre)

“Hidden Seed: Bethlehem’s Forgotten Utopia” plays Wednesday, October 8 – 7:00-8:30p (Single Sisters House) and Thursday, October 9, 8:00-9:30p
(PBS)
http://festivalunbound.com/hidden-seed/

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It was like going to Mass in the Catacombs.
The Gadfly

Three 18th century female Bethlehem ghosts — a formerly enslaved West African woman, a Native American woman, and one of the original Moravian immigrants from Europe — agree to tell everything, the whole story not just the happy parts, without lying.

Yes, everything . . . the whole story . . . not just the happy parts . . . without lying.

“They [us] will only understand if you tell them the whole story, the whole truth.”

Like about Gnadenhutten, the Moravian Massacre.

Do you know Gnadenhutten?

96 Christian Native Americans killed at the Moravian Mission of Gnadenhutten, skulls crushed with mallets to save bullets.

This anguished cry by our distraught Native American teller seemed to crack the serene Single Sisters House walls Monday night just as her tale of outrage cracked the smooth surface of pious Moravian history.

So, everything . . . the whole story . . . not just the happy parts . . . without lying.

Did you know there was slavery in Bethlehem?

And our rather matter-of-fact African American teller bluntly pierces the “miracle” of good treatment rationalized by the European with the hypocrisy of “You believed you could own us.”

“The seeds of our failure were sown side-by-side with our dreams.”

So much for Utopia. Maybe best that it be forgotten.

Or is the hidden seed of equality and unity still available to us?

If you haven’t already, y’gotta go and find out.

Whattaya doing tonight?

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Nobody sleeps in during Festival week

(38th in a series of posts on Touchstone Theatre)

The Greenway drum half-circle is your Wednesday reveille. It’s infectious. Turn your cereal box on its side, grab two knives, and join in.

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How to Festival UnBound
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Touchstone 1

Festival 7

Festival 8

click here to get hot links for Wednesday’s events listed above

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Huh? Bethlehem’s “Forgotten Utopia”?

(37th in a series of posts on Touchstone Theatre)

“Hidden Seed: Bethlehem’s Forgotten Utopia” plays Tuesday, October 8 – 7:00-8:30p and Wednesday, October 8 – 7:00-8:30p and Thursday, October 9, 8:00-9:30p
http://festivalunbound.com/hidden-seed/

Touchstone 1

The stories we tell shape the lives that we lead

Gadfly attended the performance of “Hidden Seed: Bethlehem’s Forgotten Utopia” with a small group in Single Sisters House last night.

It was special.

It was like going to Mass in the Catacombs.

What is our “forgotten Utopia”?

“In the first two decades, the Moravians built a racially integrated city that abolished poverty, shared wealth equally, emancipated women to be leaders, and provided free education, health care, child care, and elder care to all.” (Seth Moglen)

Three 18th century female Bethlehem ghosts — a formerly enslaved West African woman, a Native American woman, and one of the original Moravian immigrants from Europe — agree to tell everything, the whole story not just the happy parts, without lying.

Everything . . . the whole story . . . not just the happy parts . . . without lying.

This is the way to learn history.

First-person, multi-perspectiv’d, tension-filled, contrarian.

Not text-bookish and smoothed out.

What is the “hidden seed”?

“We brought the hidden seed here, to Bethlehem, yes, yes, we came here to evangelize, but we also came to build a model of life, an example for the entire world, a City on a Hill, that would spread its light far and wide. We had no interest in personal wealth, we didn’t come here to build private houses or family farms. We came here to build a community in which everyone’s needs would be met communally.”

The hidden seed is a vision of equality and unity.

That’s the happy part.

What happened to the hidden seed?

Is it still available to us?

Y’gotta go and find out–

Whattaya doing tonight? If you haven’t seen “The Secret,” that is.

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13

Don’t miss “The Secret”! Last performance tonight!

Bethlehem-born writer Hilda Doolittle — H. D. —  (1886-1961) is
the “Lehigh Valley’s most important literary figure.”

Last showing!

See it tonight!

(The marionettes are booked in Toronto tomorrow)

“The Secret” plays Tuesday, October 8 – 7:30-9:00p at Touchstone Theatre: http://festivalunbound.com/the-secret/

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photo by Ed Leskin

How to Festival UnBound

Festival UnBound
Ten days of original theatre, dance, music, art and conversation designed to celebrate and imagine our future together!
October 4-13