H. D.: “Never more will the wind / cherish you again”

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Bethlehem-born writer Hilda Doolittle — H. D. —  (1886-1961) is
the “Lehigh Valley’s most important literary figure.”

“Master,” said the Grasshopper, “what good is poetry?”

“Wait, Grasshopper,” said the Master, “till you have suffered loss. And then you will know.”

—–

Never more will the wind
cherish you again,
never more will the rain.

Never more
shall we find you bright
in the snow and wind.

The snow is melted,
the snow is gone,
and you are flown:

Like a bird out of our hand,
like a light out of our heart,
you are gone.

H. D.

Let this little poem by our Bethlehem poet whom we have discovered and celebrated all year sink in for an hour. Then come back to Gadfly again.

“I would love to see the City explore other kinds of [housing] options”

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Although she’s lived in Bethlehem for almost 20 years, Carol Burns’ new career as a freelance marketer is giving her an opportunity to “discover” her hometown. She volunteers for several arts-related organizations, and her newest adventure is dipping her toe into local politics and community organizations.

Gadfly:

I’m a renter (and have been in the same location for 12 years, so not a “transient”), but I understand Dana’s concerns — and I’m right with the Gadfly’s concerns about “what’s too much?” Especially if they are market rate, and not affordable. For myself, I’m in “too much” of a rental unit but cannot afford to move to something smaller because the rent would be much higher. As one person, I’m taking up space where a family could be. I would love to see the City explore other kinds of options, like tiny homes allowed in residential neighborhoods, and more small, affordable multi-unit townhouse/apt units — also sprinkled into neighborhood pockets.

Carol

Thinking about the (next) election

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So there’s an election coming up in two weeks.

It’s an important one — judge, district attorney, controller, school board, etc., etc.

And Gadfly hopes you will make sure to vote.

012

But Gadfly’s not real excited about this one.

He focuses on Bethlehem, and there’s no opposition for City Council slots.

No way his energy and enthusiasm will match the 70+ posts you will remember he did on the primary.

Gadfly’s looking ahead already to the May 2021 primary.

The Hizzoner or Heroner (we haven’t had a woman) position of Mayor will be open.

And three Council slots (we haven’t had all women).

Gadfly wants the best possible candidates. Plural. Choice.

Candidates probably have to formally declare by February or March 2021.

15-16 months away.

They will be thinking about it earlier. Maybe even now.

Gadfly knows that his followers are intelligent, thoughtful, concerned, connected — and ever-growing in number.

He would like to suggest that the gadfly blog is a good place for potential candidates to start sharing ideas and visions.

Pass the word.

“If history informs anything . . . we have a strong foundation to be able to address the issues that are facing us today”

logo63rd in a series of posts on Touchstone Theatrelogo

I hear we are speaking about history this morning.

  • “The heritage of the Southside especially was that it was a wildly divergent population.”
  • “So what you need to understand about Bethlehem is that it is founded by and large by an immigrant population.”
  • From it’s very start it’s an immigrant population community, and it served and it fostered immigrant populations and divergent racial populations for its entire history.”
  • “That is our heritage; that is our legacy.”
  • “And this is a legacy that can continue to be developed in some strategic fashion.”
  • “It’s hard for us to understand — there’s so many social, political, etc. problems that are facing us, but I will just say if history informs anything that we have a strong foundation to be able to address the issues that are facing us today.”
  • “We can figure out a way to build on our strengths, which includes our history and our heritage.”

From the “Poets, Troubadours, and Troublemakers” event by a woman whom, unfortunately, Gadfly doesn’t know.

Festival UnBound
Closed but never forgotten

“I feel that there’s a huge void about the history of the Steel”

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Speaking of history to celebrate as per the previous post about the good visitor from Allentown.

More fertile thoughts from the panel after Festival UnBound’s “Poets, Troubadours, and Troublemakers” event.

We have the National Museum of Industrial History, but Geoff Gehman sees a resource much more specific filling a void in historical knowledge about Bethlehem Steel and providing a valuable educational tool.

  • “One of the things I’d like to see is a dedicated museum.”
  • “Having a dedicated museum that talks about the Steel as a community that was integrated workwise and segregated socially.”
  • “. . . integrate that into the curriculum of the schools.”
  • “Not a bad way to start getting kids early and then hopefully influencing the parents and other generations too.”
  • “I feel that there’s a huge void about the history of the Steel.”
  • “It’s rich as hell.”

Festival UnBound
Closed but never forgotten

A ratio of 70% to 30%, owned vs. rented housing units, used to be ideal

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Dana Grubb is a lifelong resident of the City of Bethlehem who worked 27 years for the City of Bethlehem in the department of community and economic development, as sealer of weights and measures, housing rehabilitation finance specialist, grants administrator, acting director of community and economic development, and deputy director of community development.

Gadfly:

There is a second issue with the volume of rental units proposed throughout the city and that is the destabilization of neighborhoods brought on by increasing rental units versus owner occupied units. Transient residents do not have the same investment in community that home owners do. A ratio of 70% to 30%, owned vs. rented housing units, used to be ideal, and 65% to 35% was acceptable. Tilting that equation in the other direction will create issues throughout Bethlehem similar to the kinds of issues Bethlehem has been dealing with in neighborhoods surrounding Lehigh University. Over time the conversion of owner-occupied homes to rentals in Southside neighborhoods has made code enforcement quite challenging and affected the quality of life in that area for decades.

Dana

“Bethlehem has history to celebrate . . . We always come to Bethlehem”

logo61st in a series of posts on Touchstone Theatrelogo

One of Gadfly’s major heroes is Thoreau, you know, the guy who went to live in the woods (though the meaning of that “sojourn,” as he called it, is most often misunderstood).

Thoreau loved mornings.

“The Morning, which is the most memorable season of the day, is the awakening hour . . . All intelligences awake with the morning.”

Gadfly loves Monday morning especially — new week, new beginning, rebirth.

Gadfly has three first-semester college grandchildren right now.

He writes them cheerleading emails every Monday morning, urging them to awake with the morning of the week and to do well.

Here’s a cheerleading Monday morning message for you.

From an Allentown visitor to Touchstone Theatre’s Festival UnBound “Prometheus / Redux” play.

  • “As much as you need to know where you’re going, and that’s so important, I think to keep track of where you’ve been and what you’ve accomplished.”
  • “You guys have it together.”
  • “You give us art, you give us community.”
  • “We in Allentown wonder why they can’t do it better.”
  • “Bethlehem has history to celebrate; Allentown was a banking community.”
  • “You can’t celebrate banking.”
  • “We’re from Allentown . . . We always come to Bethlehem.”

Gadfly loves the voices of “real” people. That’s why he tries to amplify them so much in these pages.

Festival UnBound
Closed but never forgotten

“Is there enough demand for seven new apartment projects in the City of Bethlehem?”

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and 700 block N. New

Garrison St.

Remember that the re-zoning of 11 and 15 W. Garrison is, for now, dead.

But the construction of a probably 5-story, 70-some unit apartment building — rendered above — on the 700 block of N. New St. remains quite a bit alive.

5-story did Gadfly say? At City Council last Tuesday Gadfly #2 Bill Scheier said that he’s seen talk of 12 stories.

Alas and alack!

Councilmen Callahan and Reynolds warned the Garrison residents that they could win the rezoning battle, which they did, and still end up with an offensive or even greater offensive project.

Which they might, Scheirer suggests.

Scheirer counts 7 new large apartment projects on deck: 4th and Vine, Wilbur Mansion, the Armory, Skyline West, Boyd Theater, 548 N. New, and this one on the 700 block of N. New.

And he asks:

“Is there enough demand for seven new apartment projects in the City of Bethlehem?”

A question you’ve seen yours truly Gadfly-double zero raise recently as well.

Especially in the context of the need for affordable housing.

Suppose the demand wasn’t great enough, Scheirer asks, which of the seven projects is expendable? Which is most destructive of the City’s character?

The 700 block of N. New.

And he suggests rezoning that block to CL to eliminate the project because the present CB zoning there that permits a large structure is “like a middle finger sticking up into the residential area.”

Whew!

Of grace, and ghosts

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I was walking through God’s Acre on this dour day in the rain, and I saw 2 spots of color, in two different choirs. Man and wife. Magdalena, and her husband Andrew, without a last name but with the renewing beauty of fall colchicum. In this gray day, they glowed.

Paige Van Wirt
Sunday, October 20

Youth exodus, slum landlords, the township, low-interest loans

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Gadfly’s video ran out, but Jennie Gilrain’s comments at the “Poets, Troubadours, and Troublemakers” event that we just posted spurred a thoughtful five minutes of related comment from four audience members that he was able to capture on audio.

“We need to keep our young people here”

Interesting question. How many of us have children over 20?  And how many of those children are still living in Bethlehem?

“We have a whole bunch of landlords who live in New Jersey
who are slum lords”

We have people living in poverty situations in apartments that cost a fortune, so they can’t save enough to buy a house, forcing them to live in multi-family situations. Part of that is the result of being a college town. We’ve made it unaffordable for people to live here and live a decent life.

“But people in my age bracket, they’ve already committed to the notion of a starter home and a next home, and the next home isn’t in Bethlehem”

It was never a question when I got married that we would live in Bethlehem. My parents never had to leave their house. But there is a push to keep up with the Joneses and move further away in the younger age-bracket.

“[Low-interest, down payment loans] that’s the sort of thing
that could be arranged”

See the example of Chicago partnering with Loyola University. Some people are trying to do this, like TD Bank on the Southside. We must find ways for people to buy homes and not rent from the landlords from New Jersey.

Festival UnBound
Closed but never forgotten

“Why don’t people want to come live on the Southside?”

logo59th in a series of posts on Touchstone Theatrelogo

Unfortunately, Gadfly doesn’t have it on video, but there is a moment while Festival UnBound’s Jennie Gilrain (director of “The Secret”) is doing moderator duty after the “Hidden Seed” play in which she bounds, bounces, twirls, flies from one side of the stage to the other.

Her body dances.

Her mind does too.

Her opening anecdote here will fix your attention on something rather profound.

What do you think about her question?

It’s about more than just our Southside.

  • “Where do you live?”
  • “I’m used to being asked where are you from.”
  • “Deeply ingrained in our American psyche is this idea that where you live defines your status.”
  • “People keep trying to move farther and farther away from each other.”
  • “What is it about moving away from the center of town?
  • “Why do we keep wanting more space, bigger, bigger yards?”
  • “Why do we have to keep building houses in the fields, as John Gorka says.” ***
  • “Why don’t people want to come live on the Southside?”
  • “Why don’t people want to come back and be crowded and close together?”
  • “That’s a real question and not a judgment.”

*** Jennie refers to Gorka’s “Houses in the Fields,” performed here recently and here in original video. Gorka attended Moravian and started his folk singing career at Godfrey Daniels. “Houses” is said to be about his family home on Freemansburg Avenue.

Festival UnBound
Closed but never forgotten

“We have to have public transportation available”

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When was the last time you took a bus?

Maybe the better question is, have you ever taken a bus?

Not only are we not quite a walking community, but we are not a viable public transportation community either as well.

Silagh White laments.

  • “How many people drove their car here tonight?”
  • “One of the things that is part of the divide is accessible public transportation.”
  • “I would love to take public transportation; it does not work for my life.”
  • ‘If you have not been listening to what the kids are saying about our future, and we don’t start changing our own personal behaviors, we are just as much a part of the problem.”
  • “But it’s impossible to change our behaviors if we don’t have the opportunity to do that as a society .”
  • “We have to do more; we have to have public transportation available, so that the food deserts don’t mean as much any more — people can actually get to places.”

Festival UnBound
Closed but never forgotten

“What I see happening isn’t really promoting a walkable community”

logo57th in a series of posts on Touchstone Theatrelogo

He confessed it. Total admission. Put it right out there. No hiding.

“I love to walk.”

That was Wally Trimble at the “Poets, Troubadours, and Troublemakers” event.

“Hear, Hear,” a flock of Gadfly followers assented, “We’ll drink to that!”

Much on our minds on this blog.

But a ways to go, says Wally.

  • “I love to walk.”
  • “I wish it were a more walkable community.”
  • “We have a great trail system . . .”
  • “Our crosswalks seem designed as kill zones.”
  • “There are a lot of really dangerous places . . . “
  • “The best way to see [our] neighborhoods is to walk.”
  • “It makes us feel better just to talk with a stranger.”
  • “If everybody was out walking around and talking with each other . . .”
  • “What I see happening isn’t really promoting a walkable community.”

Festival UnBound
Closed but never forgotten

“There’s not really a place where people of color who look like me gather in this town”

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After that discussion of “place” in Bethlehem, Sharon Brown guided the denizens of Godfrey Daniels after the Festival UnBound’s “Poets, Troubadours, and Troublemakers” performance to the topic of “race” with this startling statement:

“There’s not really a place where people of color who look like me gather in this town.”

  • “It’s important to have a presence.”
  • “If you don’t have a presence, you can’t make a change, and nobody is going to invite you to the table to have a conversation.”
  • I’m continuing to think about as we look into the future how do we engage and make our world a truly more inclusive community.”
  • “How do I and others and other allies help to get folks to develop a critical consciousness, so that when you are doing a program you are making sure that you are including The Other and whoever that Other is at the table in the performance.”
  • “We have to do better.”
  • “After being here all these years, it is still a majority community governed by majority people, and all the Arts are still majority dominated and don’t engage other voices to be at the table.”
  • “It’s as though there’s this invisibility that occurs.”
  • “Where are the people who look like me?”
  • “Since we have this conversation, remember that there is a level of invisibility that exists throughout the entire Lehigh Valley but especially in Bethlehem no matter what side you are on.”

The audience went quiet for a bit, as if in thought.

Festival UnBound
Closed but never forgotten

“Do you think this is a city of two cities?”

logo55th in a series of posts on Touchstone Theatrelogo

A quiet voice fairly timidly took the mic:

“I have a question . . . do you think this is a city of two cities?

And thus began in earnest the discussion after “Poets, Troubadours, and Troublemakers.”

The room got right to the question of identity that we sometimes seem unable to settle.

Are we the tale of two cities?

Are we the wail of two cities?

Northside and Southside–

And the conversation jumped quickly to an even greater multiplicity of cities within our city!

  • “There are three sides of town: Northside, Southside, and Lehigh.”
  • “There’s the Eastside . . . another neighborhood that everybody forgets.”
  • “In any town, there are many towns . . . for any town, any community to go forward, it has to recognize it’s a good thing and a bad thing that there are more than one town in that town . . . It can be diversity and opportunity if we recognize and try to bring those communities together and take strength from that rather than trouble.”

Ahhh, this is a rich subject that you must have some feelings about.

Lehigh as a third side of town?

Badaboom!

Share?

Festival UnBound
Closed but never forgotten

“Nobody’s going to save us . . . we’re going to have to fight for our community”: the “Poets, Troubadours, and Troublemakers” panel

logo54th in a series of posts on Touchstone Theatrelogo

So Gadfly set up for you the panel conversations about the future of Bethlehem after Festival UnBound’s “Prometheus / Redux” and “The Secret.”

Here we’ll introduce the panel and significant audience participation of the “Poets, Troubadours, and Troublemakers” event and in a following post the panel after “Hidden Seed,” which Gadfly almost forgot about since he didn’t get any video.

Gadfly is first setting these panels up for you and then will come back for closer looks.

PT&T at the intimate Godfrey Daniels on 4th St. was an hour or so of original music by Godfrey Danielslocal folk singers and composers that was followed by a like amount of time for a panel with audience participation.

Panel members were Bill George (Touchstone wizard), Bob Watts (poet, Lehigh U English Department), Paul Walsh (Charter Arts Artistic Director), Geoff Gehman (arts journalist), and Anne Hills (folk singer).

In setting up the first two panels, we’ve heard shorthand descriptions of the guiding purpose of the entire Festival as generating “a sense of ‘we’ that we have never accomplished before” and envisioning “how we move forward as people committed to building a better Bethlehem.”

Here Bill George frames once again the first principles and principal motivation for the massive 10-day Festival.

  • “The purpose is to use our art as a way of bringing us together to express our feelings and thoughts about who we are as individuals and as a community and somehow where we’re going and to help it generate conversation among ourselves as to what kind of community we really want.”
  • “Like Stephanie’s [Stephanie Watts] novel, nobody’s coming to save us.”
  • “This music . . . calls us to understand that we have a job if we want this town, that we want our community, we’re going to have to fight for it, and the fight isn’t really with other people, it’s with ourselves not just to sit back and let it go.”

Much more on this event in later posts.

Festival UnBound
Closed but never forgotten

Summer bowing out

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October 15

Alison 2

Frosty penstemon this morning . . . Come back, summer!
Alison Steele
—–
Alison is a Bethlehem native, Liberty grad, daughter of “former-hippie parents” from the Northeast part of town, who is working in the Sustainability field in Pittsburgh. Gadfly bets  her blog on this topic will be of interest to many followers.

“It happens when the money comes / The wild and poor get pushed aside”

logoLatest post on the Arts in Bethlehemlogo

Listening to brand-new music about Bethlehem while wedged into Godfrey Daniel’s for Festival UnBound’s “Poets, Troubadours, and Troublemakers” performance, knees welded together, elbows pinned to ribs, butt little more comfortable than a flag-pole sitter’s, Gadfly’s mind drifted back to the past . . . to John Gorka.

Anyone remember?

“My time [in Bethlehem] roughly coincided with the decline of Bethlehem Steel . . . and the town was trying to adapt to the new economic realities . . . a lot of what they did I was fine with . . . but the way they were fixing up the southside of town, where Godfrey Daniels is . . . I started to feel like aspiring folksingers and other poor people would no longer be welcome there . . . wrote this in 1991 . . . The song is kind of contemporary in a horrible way.”

Gorka 1

“Where the Bottles Break”

I walk where the bottles break
And the blacktop still comes back for more
I walk where the bottles break
And the blacktop still comes back

I live where the neighbors yell
And their music comes up through the floor
I live where the neighbors yell
And their music wakes me up

Life beyond the playground fence
Is serious as basketball
Life beyond the playground fence
Is serious

Four blocks from the steel mill blasts
I paint my claim up on the wall
Four blocks from the steel mill blasts
I paint my claim

From my end of the southside drag
It’s a common thought to call the cops
Further west it’s been gentrified
They turned biker bars into flower shops

I kind of miss those Harley guys
Who rarely did a body harm
They mostly liked to drink and shout
And flash the pictures on their arms

It happens when the money comes
The wild and poor get pushed aside
It happens when the money comes
The poor get pushed
The buyers come from somewhere else
And raise the rent so you can’t hide
The buyers come from out of state
And they raise the rent

Buy low sell high
You get rich and you still die
Money talks and people jump
Ask how high low-life Donald what’s-his-name
And who cares
I don’t want to know what his new wife doesn’t wear
It’s a shame that the people at work
want to hear about this kind of jerk

These people aren’t saints
No people just are
They want to feel like they count
They want to ride in their own car
People aren’t saints
No people just are
They want to feel like they count
They want to ride in their own car

I just want to make enough
To buy this town and keep it rough
I just want to make enough
To buy this town

Buy low sell high
You get rich and you still die
Money talks and people jump
Ask how high low-life Donald what’s-his-name
I walk where the bottles break
And the blacktop still comes back for more
I walk where the bottles break
And the blacktop still comes back

I live where the neighbors yell
And their music comes up through the floor
I live where the neighbors yell
And their music wakes me up

Life beyond the playground fence
Is serious as basketball
Life beyond the playground fence
Is serious

Festival UnBound
Closed but never forgotten

The Mack strike hits “home”

logoThe Gadfly invites “local color” photos of this sortlogo

Jon Harris and Anthony Salamone, “Striking Mack Trucks workers irked after company cuts their health care plans.” [MACK WORKERS DISTRESSED] Morning Call, October 18, 2019.

Paul Muschick, “We should support striking Mack Trucks workers.” Morning Call, October 18, 2019.

Matt 1

“MACK WORKERS DISTRESSED” blares the headline in the print edition of today’s Morning Call.

For some reason the online edition softens “distressed” to “irked.”

Remember the statistics that came out during the government shut down earlier this year about how the vast majority of average American workers do not have, say, $400 put away to meet an emergency?

Distressed is more like it.

The Mack strike hits home.

Gadfly #4 son Matt is a proud Union member standing tall on the picket line.

(Can you pick him out in the above photo? Family resemblance? We once won a Morning Call Father’s Day look-alike photo contest.)

Because of the Touchstone Theatre Festival, Gadfly’s thinking the past few weeks has been framed by “The Steel.”

Now the Mack strike.

Gadfly knows factories.

He grew up just barely across the tracks from a neighborhood called “Tin Town,” whose factories owned the families of his friends as well as the future for many of them, families whose fathers Gadfly remembers coughing out their assembly line dust over cheesesteaks at Novino’s luncheonette.

Supporting self and young family through graduate school, Gadfly in overalls carried his lunch bucket to Kaiser Jeep outside of South Bend, Ind., helping to make Army trucks for Viet Nam, enduring good-humored jibes of “college boy” from soot-stained men who literally counted days to retirement-escape.

His father and uncles worked for Westinghouse just outside Philadelphia in the 1940s and 1950s, and many were crippled by the massive strike in 1955. His father, following his American Dream, had just been promoted from the “floor” to low-level third-shift foreman, where he was proud to wear a white shirt. But the promotion potentially drove a wedge between him and his friends at an ugly time when Union-Company confrontations turned violent as strike days turned into strike months.

Doing necessary maintenance on the machines, Gadfly’s father for several weeks lived in a Westinghouse plant ringed by squads of angry Union members. Gadfly remembers that he was worried about his car as more and more violence erupted. It was 1955. He had just bought a well used 1950 Ford with his pay raise and invested in a paint job.

A “new” car — livin’ the dream.

Unfortunately, the sample paint splotch turned out to be misleading — and the end result was a gleaming, virtually pink embarrassment — especially to a shy teen looking forward to using the car on dates.

But that car was his baby, and his Union still-friends escorted his not yet 16-yr-old Gadfly son through the dense picket line, and, though unpracticed in stick shift, with their convoy, to drive his gleaming pink beauty slowly and sputteringly back through the picket line and out of the plant to safety. It was bizarre.

Gadfly’s kidneys still ripple at the memory.

Gadfly’s father never forgot his Union roots.

Gadfly has felt that influence in his own life.

Gadfly will always remember an African American mourner grasping his hand at the funeral, saying his father was the best foreman he ever had.

That meant something.

Many Bethlehem residents and Gadfly followers worked (or work) for Mack as well as “The Steel.” Would there be strike memories to share?

Good Council interplay in the parking fine deliberation

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Always remember that part of Gadfly’s mission is to help us know our Council members better so that we are better informed when we vote. (Some members will run again; one or two might run for mayor.)

The discussion over the proposal to increase the parking fines at the October 15 Council meeting went well — though it might not have had the outcome you wanted — and provided a good portrait of three Council members.

Council rejected the Public Safety Committee’s rejection — led by Councilwoman Van Wirt — of the Parking Authority proposal to raise the rates, putting that BPA proposal back on the agenda for consideration at the next Council meeting.  (See “Parking” on the sidebar for the history of this issue.)

Council vote was 5-2 for the motion to reject the committee report — Van Wirt and Negron as the “nay” votes.

Some of you might remember the dialectical method from somewhere in your schooling: thesis, antithesis, synthesis.

Thesis: Councilman Callahan argued for moving forward (he is not on the Public Safety Committee and thus was a new voice in the discussion) on the BPA proposal.

Antithesis: Councilwoman Van Wirt restated her case for holding up the proposal till the BPA conducted a pilot study that included free parking but a much harsher fine structure.

Synthesis: Council senior citizen Reynolds made the case for doing both, approving the fines now but engaging as well in discussions about a pilot study.

Textbook.

There has been contention between the right and left sides of the Head Table. Not tonight. Good conversation. BC made a good case. Even PVW seemed calmly resigned to losing the vote though inviting her colleagues to join in exploring her idea further with the BPA.

And even Gadfly — who finds new ideas and pilot programs aphrodisiac — thought Council action as the best outcome and looks forward to hearing some good discussion on PVW’s ideas at BPA board meetings. He hopes she is not alone in attending.

Listen to some reasonable discourse at Council, your tax dollars at work.

Councilman Callahan

  • “We’ve been discussing this . . . for almost a year now.”
  • “I think at some point we need to let the Parking Authority know where we stand.”
  • “You can hardly ever find a parking space on Main St.”
  • “We don’t want people parking at a meter all day long.”
  • “The goal is to make it cheaper for people to park in the garages.”
  • “We are actually rewarding people breaking the law.”
  • “You are saving two dollars by breaking the law.”
  • “The downtown’s not struggling.”
  • “‘We have one of the most vibrant and booming downtowns in the state of Pennsylvania.”
  • “We need to let the Parking Authority know so that they can move ahead with Plan B.”
  • “Right now it’s out of control down there.”
  • “It’s cheaper to just take a fine.”
  • “It’s time to move it forward.”

Councilwoman Van Wirt:

  • “I wanted to make sure that when the Parking Authority was taking into consideration making structural changes . . . that the Parking Authority was considering what’s best for the people of Bethlehem, the parkers of Bethlehem, the small businesses of Bethlehem, and not just the bottom line of the Parking Authority.”
  • “I requested that the Parking Authority consider instituting free parking in a pilot area . . .  “
  • “Any proposal that the Parking Authority would put forward that would entail free parking and helping our downtowns be more lively . . . something that shows that we can use the power of parking to help our downtowns and not just continue to add fees.”
  • “Hoping to accomplish is having that dialog now rather than hoping the Parking Authority will do this at some future junction.”
  • “I would still like to go before the Parking Authority, and I hope that my colleagues on Council . . . would come with me.”

Councilman Reynolds:

  • “The one thing we all agree on is that the parking system is complicated.”
  • “And I also thinks that everybody hates the Parking Authority so much, it’s hard to have a rational conversation about some of these things.”
  • “I think going forward there’s not a reason we can’t do both of these things.”
  • “I agree . . . City Council should have some ways to influence that conversation.”
  • “I think both of these ideas have merit.”
  • “We should have a vote on this in three weeks, but I also think that as a City Council, we should take a look at some of the different ideas such as creating a pilot program.”
  • “I think both of these ideas are worthwhile.”

Council passes the resolution recommending state action on the single-use plastic bag legislation

logoThe latest in a series of posts relating to the environment, Bethlehem’s Climate Action Plan, and Bethlehem’s Environmental Advisory Councillogo

Followers know the sad news that our local Environmental Advisory Council (EAC) proposed ban of single-use plastic bags took a hit because of a one-year legislative moratorium in order to study the issue.

At Council Tuesday October 15, however, Council passed a resolution from the Administration supporting passage of the ban:

Plastic Bags Support Resolution-1

EAC member Elisabeth Cichonski spoke in favor of the resolution:

And the resolution passed, Councilman Reynolds speaking for it and, as he has done before, advocating additional measures to insure the good goals of the proposed legislation will be achieved.

Good work, all around!

It’s Thursday, October 17, do you know where your local Climate Action Plan is?

Council decides to move forward now on the Parking Authority proposal to increase fines

(132nd in a series of posts on parking)

For the past half-dozen or so posts in the parking thread (see “parking” under Topics on the sidebar), we have focused on the Bethlehem Parking Authority proposal to raise the penalties in the fine structure. Meter rates increased January 1 by authority of the Mayor but the fines, which are under the authority of Council, were not raised, rendering the fines an ineffective deterrent in controlling curbside turnover. Council withheld its permission to get more information on BPA funding of the Polk Street Garage and to encourage the BPA study of variable rate parking.

The Council Public Safety Committee recently voted 2-1 to hold off on the proposed fine increases pending consultation with BPA on a Councilwoman Van Wirt idea to do a pilot study of a plan to provide free parking for a limited period but to substantially increase the fine structure, well over what the BPA has proposed.

Last Tuesday committee action was before the full Council, and it was not accepted by a 5-2 vote. The original BPA proposal will now be before Council at its next meeting.

Gadfly thought the discussion a good one and will provide video and commentary in the next post in this series.

Sara Satullo, “It looks like Bethlehem’s parking fines are going up.” lehighvalleylive.com., October 16, 2019.

Nearly a year after the city parking authority first requested an increase, it appears Bethlehem City Council is poised to back hiking the city’s parking fines to $15. A majority of city council voted Tuesday night to override its public safety committee’s recommendation to hold off on the Bethlehem Parking Authority’s pitch to increase fines by $5. The two councilwoman who voted Oct. 1 to wait on hiking the fines — Olga Negron and Dr. Paige Van Wirt — opposed the motion.

On Oct. 1, the authority was back before council’s public safety committee to again hash out why the authority needs to hike fines to deter parking violations. Currently, it costs $10 a day to park in a city garage, so people are willing to roll the dice, not feed the meters and risk a $10 ticket, Livingston has said. “You are saving $2 by breaking the law,” said Bryan Callahan, who is the parking authority liaison.

Callahan made a motion Tuesday night to release the public safety committee from considering the fine increases. That motion passed 5-2 and then council voted along the same lines to bring the fine hike up for first reading at the council meeting Nov. 6. Negron and Van Wirt also opposed that measure.

A majority of council members expressed broad support for Van Wirt’s suggestion that the authority pilot offering free parking in concert with more expensive parking fines — like $40 or $50 for overstaying time limits — in hopes of putting more shoppers on the streets of the Historic District and Southside. But they didn’t wish to link approving the higher fines with the enactment of a pilot, which some noted could take time to develop.” I don’t think there’s a reason we can’t do both of these things,” Councilman J. William Reynolds said.

The unique structure of the city’s parking authority — the mayor approves meter rates, council approves parking fines and the authority’s board sets the garage rates — creates a power struggle each time council is asked to hike the cost of violations. It is one of the only times council gets to weigh in on the authority’s finances and parking policies.

On Tuesday night, Van Wirt said when she didn’t support the fine increase when it was before the committee she wanted the authority to consider what is best for the people of Bethlehem, the folks that park in the city and the businesses of Bethlehem when it makes structural changes. She wants to have that conversation now with the authority’s board in hopes of the pilot occurring soon.

Callahan argued the authority needs clarity on the fine increases and that there’s a major problem with parking turnover on Main Street where he said it is hard to find a spot. Businesses don’t want meters tied up with the same parkers all day, they want constant turn over, he said. “It is hurting downtown businesses with the meter fee the way it is,” Callahan said.

Van Wirt emphasized that the pilot she is proposing would keep meters turning over and perhaps convince some, who avoid the area after a bad experience with the parking authority, to come back downtown. “It is a model,” she said. “It is well studied. It is effective.”

Nicole Radzievich, “Will parking fines go up in Bethlehem? The hike has been stalled for a year, but is now making some headway.” Morning Call, October 16, 2019.

A proposed parking fine hike, which has been stalled in committee for a year, is making some headway on Bethlehem City Council. Council voted 5-2 Tuesday to take the proposal out of committee and vote on it next month, bypassing the recommendation of its public safety committee. Earlier this month, the committee decided to postpone the issue until there could be a pilot study on whether to offer free parking in the downtowns for a limited amount of time.

While council members still appeared open to the pilot program, a majority indicated that it doesn’t change the fact that fines, now at $10 for a meter violation, are too low to deter people from parking illegally. The current meter fine is the same cost as all-day parking in the garage. The goal is to encourage long-term visitors to park in the garage, freeing up the $1.50-an-hour meters for visitors on shorter trips. “It’s been on the table and discussed for almost a year now,” City Councilman Bryan Callahan said. “At some point, we have to let the parking authority know where we stand on this.”

Van Wirt said she still hopes that the parking authority will give the pilot program serious consideration. The idea would be to offer free parking on selected downtown areas — such as Main and Broad streets on the North Side and Third Street on the South Side — for two or three hours. Violators would be ticketed at a much higher rate — perhaps $30 or $40. She said other communities offered similar programs. She said she wants the authority to consider the impact of its financial decisions on visitors to the downtown and businesses, not just its bottom line.

Comparing the first six months of last year and this year, the number of meter violations jumped by 27% to 15,700 tickets. Overall tickets during that time rose by 7% to 41,642. From 2014-2018, the parking tickets increased from 22,940 to 78,000 — a 240% increase.

The “Prometheus / Redux” panel tackling the question of how Bethlehem moves forward

logo53rd in a series of posts on Touchstone Theatrelogo

There was lots and lots of entertainment during the 10 days of Touchstone Theatre’s “Festival UnBound,” which closed last Sunday night. There were plays, there were poets, there was a marching band, there was joyful noise.

But there was also lots and lots of conversation on the future of Bethlehem.

Even the entertainment was that conversation in a sense.

But there were formal conversations.

Conversations at lunch at the Cafe the Lodge, late night conversations at the Cabaret, and several panel conversations.

It was the panels on which the Gadfly focused (deftly avoiding ending with a preposition): the panel after “Prometheus / Redux,” after the “The Secret,” and after “Poets, Troubadours, and Troublemakers.”

Gadfly, you know, lives to enable us to hear our real voices  — our public participation — without filter.

So yesterday Gadfly laid out for you the panel of 8 women moderated by Jennie Gilrain tied to the H. D. play “The Secret.” Today let’s lay out the panel after “Prometheus / Redux.” Tomorrow perhaps we’ll do the one after “Poets, Troubadours, and Troublemakers.”

Gadfly’s purpose will first be to simply present the panels, to enable you to “attend” them or attend them again, to provide — you know this is Gadfly’s modus operandi — the primary sources on which to base your own responses (there’s that grammatical deftness again) before he makes comment.

The “Prometheus / Redux” panel was moderated by Councilman Willie Reynolds.

Here Willie describes the general purpose of the 10-person panel to discuss “how we move forward as people committed to building a better Bethlehem,” and the panel members do short introductions: Gerald Stropnicky, Bob Drake, Matthew Turk, Bob George, Alicia Miller Karner, Dave Amelio, Olga Negron, Guellermo Lopez, Jr.

The panel

Willie kicks off the discussion by asking the panel “what was that thing you saw today [at the “Prometheus / Redux” play] that going forward — it could be an idea, a theme, it could be a spirit — that kinda going forward that you think is the most important thing for our community.”

Prometheus Redux panel 1

Touchstone Theatre wizard and star of “Prometheus / Redux” Bill George took the mic for a few minutes to articulate in impromptu fashion what Gadfly posted earlier as a good, concise statement of the theme of the Festival — constructing “a sense of ‘we’ that we have never accomplished before” — and turns to the panel with the question “How are we going to get to where we need to go? . . . What do we need to do?”

Prometheus Redux panel Bill George

Audience member Margot Pullman provocatively adds  to Bill’s question: “As we’re looking at progress, making progress, how do we do that in a way that includes the whole community without leaving people behind. It’s really easy to build the luxury apartments . . . how do we do that [make progress] without leaving Prometheus behind, all the Prometheuses?”

Prometheus Redux panel 2

The above video cuts off the last 2-3 panelist responses to Bill and Margot, so here is the audio that completes this segment of the discussion.

Moderator Willie and an audience member who did not give her name followed this segment of the discussion with valuable comments.

Prometheus Redux panel audience 1

And a woman who identified herself as “we are the Schutese” [pronounced Shooteze] from Allentown made another valuable comment that we will surely want to come back to.

Prometheus Redux panel audience 2

Willie brings discussion to a close asking the panel “in the spirit of what we just did, what is the soft work that each one of you guys is going to leave here to do a little more or what’s the kind of self-reflection that you guys might leave here thinking the play made me think a little bit more of doing this or this is what I’m going to take on as my responsibility?”

There you have the Prometheus panel. Listen in. Lots to chew on here . . .

Festival UnBound
Closed but never forgotten

Bethlehem Moment: A Remnant of Bethlehem’s Silk Industry

logoLatest in a series of posts on Bethlehem Momentslogo

Bethlehem Moment 14
City Council
October 15, 2019

Barbara Diamond
425 Center St.

research by Stasia Brown Pallrand

video
audio:

Bethlehem Moment: January 1, 1837

Standing just across the street from here is a building with an interesting story to tell about the early industrial history of Bethlehem. This modest, single-story white house at 26 W. Church Street was once a cacoonery[1] where silk worms were tended and their mile-long filaments were reeled to produce the precious fabric that was all the rage in the US and Europe.

The silk industry in Bethlehem was established early in our history; there are references to a cacoonery overseen by Rev. Philip C. Bader in the Brethren’s House as early as 1752. Benjamin Franklin was an early and influential promoter of the cultivation and 26 W Churchproduction of silk. He saw economic opportunity for our young country in response to the wild demand for silk in Europe, the need for the colonies to develop domestic industries, and the favorable conditions he found in colonial America for growing white mulberry trees, the silk worm’s essential food. In fact, the trees were so wild and plentiful that the name given by Delaware Indians, Nolamattink, to the area near present day Nazareth means “where the silk worm spins,” an apparent reference to the abundant trees and a later cacoonery operated by Bader.

The revolutionary war interrupted the development of the industry and it sputtered along early in the 19th century before collapsing in the late 1840s. It was a cottage industry in early America, suited to the “weak hands” of women and girls by the men of the day who believed that it could be done during their leisure time to supplement family income. In fact, the work was intense, laborious, and required a high level of skill.  Women were expected to master the complex art of raising silkworms: maintaining the cocoons between 50 and 75 degrees until ready to hatch; feeding them multiple times during the day on a precise variable schedule; unreeling the mile-long filaments; braiding multiple filaments together to form strands for weaving; dying the cloth; fashioning it into garments and cultivating mulberry trees.

This underestimation by Franklin and other promoters of the industry of how much time women of the day had to devote to this enterprise accounts in part for its failure as a cottage industry to produce the quality and quantity of silk they envisioned. Other factors that led to the industry’s pre-civil war demise included a nationwide bubble in mulberry trees created by speculators and fraudsters and a mulberry blight. The little house at 26 W. Church Street is of this period, recorded in a 1970 report on historic structures in Bethlehem as having been built in 1826 and operating as a cacoonery in 1837.

The silk industry revived after the Civil War and was centered in Paterson, NJ, where industrial mills were able to produce large quantities of fabric and other silk products (again largely employing women and children as labor). As demand grew, the owners in Paterson searched for areas with a large supply of low-cost labor where they could establish more mills. Bethlehem and surrounding areas fit the bill with its large numbers of immigrants working in the steel and coal industry whose wives and children could be employed in the factories.

“The first silk mill in the Lehigh Valley opened in 1881; by 1900 there were twenty three silk mills in the Lehigh Valley, and Pennsylvania was second only to New Jersey in silk production. The industry in Pennsylvania and the US peaked in the late 1920s, undone by labor unrest, competition from synthetic fabrics and the Great Depression. In the decades after WWII, international competition from low-wage countries eliminated most of the textile employment in the Lehigh Valley. In 100 years the same economic factor – low-wage labor — that brought the industry to the Lehigh Valley in the 1880s led to its demise.”[2]

I would like to acknowledge the extensive research conducted by Stasia Brown Pallrand for this Bethlehem Moment.

References

Donehoo, George P. A History of Indian Villages and Place Names in Pennsylvania.  Pickles Partners Publishing, 2019.

Field, J., Senechal, M. Shaw, M. American Silk, 1830-1930 Entrepreneurs and Artifacts. Texas Tech University Press, 2007.

Historical Markers: Dery Silk Mill. Explore PA History.com

Hostetter, Albert K. The Early Silk Industry of Lancaster County (Classis Reprint). Forgotten Books, 2018.

Levering, Joseph M.  A History of Bethlehem, Pennsylvania 1741-1892. Bethlehem, Pennsylvania: Times Publishing Company, 1903.

McCarthy, Jack. Silk and Silk Makers, Encyclopedia of Greater Philadelphia. Rutgers University, 2018 https://philadelphiaencyclopedia.org/archive/shilk-and-silk-makers/.

Regional Recreation and Open Space Plan-Historic Structures and Sites.  Joint Planning Commission-Lehigh & Northampton Counties, May 1970, Volume 3 Pg. 60.

Skinner, Taryn. How America’s Homegrown Silk Industry Unraveled. www.atlasobscura.com/articles/connecticut-silk-industry. April 19, 2018.

Wyckoff, William C. American Silk Manufacture. New York, NY: 1887.

[1] Original spelling.

[2] Historical Markers: Dery Silk Mill. Explore PA History. com